Decadencia e intentos de reforma de la música eclesiástica española en el siglo XIX = Decadence and reform projects of 19th century sacred music in Spain
Este artículo se centra en la decadencia que experimentó la música eclesiástica española desde comienzos del siglo XIX coincidiendo con el estallido de la Guerra de la Independencia. Dicha decadencia se agravó a consecuencia de la aplicación de las sucesivas desamortizaciones por los distintos gobie...
| Subtitles: | Decadence and reform projects of 19th century sacred music in Spain |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | Spanish |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
[publisher not identified]
[2019]
|
| In: |
Hispania sacra
Year: 2019, Volume: 71, Issue: 144, Pages: 641-658 |
| IxTheo Classification: | KAH Church history 1648-1913; modern history KBH Iberian Peninsula KDB Roman Catholic Church RD Hymnology |
| Further subjects: | B
Reforma
B Decadence B Decadencia B música religiosa B España B capilla musical B Reform B sacred music B music chapel B Spain |
| Online Access: |
Volltext (doi) Volltext (kostenfrei) |
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| 520 | |a Este artículo se centra en la decadencia que experimentó la música eclesiástica española desde comienzos del siglo XIX coincidiendo con el estallido de la Guerra de la Independencia. Dicha decadencia se agravó a consecuencia de la aplicación de las sucesivas desamortizaciones por los distintos gobiernos liberales y de la firma del concordato de 1851. Para remediar tal situación se propusieron distintos proyectos de reforma e iniciativas por parte de autores como Eslava, Barbieri, Pedrell u Olmeda, con el objetivo final de revitalizar la música religiosa de España y las capillas musicales que la sustentaban: tales proyectos, que adquirieron notable impulso gracias al movimiento cecilianista, constituyen el prolegómeno de la promulgación del Motu Proprio por el Papa Pío X en 1903. | ||
| 520 | |a This article focuses on the decadence experienced by Spanish sacred music since the beginning of 19th century, coinciding with the outbreak of the Independence War. This decline was aggravated by the application of successive disentailments by the liberal governments and the signing of the 1851 Concordato. To remedy this situation, various reform projects and initiatives were proposed by authors such as Eslava, Barbieri, Pedrell or Olmeda, with the final objective of revitalizing religious music in Spain and the musical chapels that supported it: such projects, which gained considerable momentum thanks to the Cecilianist movement, constitute the prolegomenon of the promulgation of the Motu Proprio by Pope Pius X in 1903. | ||
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