Black Orthodox "Visual Piety": People, Saints, and Icons in Pursuit of Reconciliation
African Americans regularly join Eastern Orthodox churches in the United States. By focusing on what practitioners do with Orthodox icons, this case study explores the processes through which specific experiences and expressions of being an Orthodox Christian become possible and meaningful for Afric...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
The Pennsylvania State University Press
[2020]
|
In: |
Journal of Africana religions
Year: 2020, Volume: 8, Issue: 1, Pages: 84-121 |
Standardized Subjects / Keyword chains: | B
USA
/ Orthodox Christian
/ Blacks
/ Saints
/ Identity
/ Affiliation with
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IxTheo Classification: | CB Christian life; spirituality CE Christian art CH Christianity and Society FD Contextual theology KBQ North America KCD Hagiography; saints KDF Orthodox Church |
Further subjects: | B
religion and race in America
B African American history B Visual Culture B Orthodox Christianity |
Online Access: |
Volltext (Resolving-System) Volltext (doi) |
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520 | |a African Americans regularly join Eastern Orthodox churches in the United States. By focusing on what practitioners do with Orthodox icons, this case study explores the processes through which specific experiences and expressions of being an Orthodox Christian become possible and meaningful for African American practitioners. This article suggests that saint veneration became a compelling Orthodox practice to practitioners because it provided a unique way to connect to the divine and to resist continuing racial discrimination in the United States. With the help of icons, African American men and women demonstrated that African people were saints, that African women contributed significantly to the history of Christianity, and that African Americans performed saintly acts. In this way, practitioners aimed to cultivate a reconciled Christian community where the full and equal membership of people of African descent is taken for granted. In following how Orthodox Christians put the materiality of their icons to work to deconstruct the assumption that whiteness is a universal default for religious experience, this article urges scholars of African American religions to make room for Eastern Orthodoxy as yet another tradition that supplies African Americans with creative tools to craft a compelling way of being a religious person. | ||
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