Revisiting the Relevance of Conceptualism of Godard's film
Jean-Luc Godard's filmmaking is analyzed as a conceptual art, as in agreement with his most accomplished role as a film critic, not a classical filmmaker. In his 1970 manifesto, Godard argues that 1) we must make political films, and 2) we must make films politically. While the first point prov...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Institut f. Fundamentaltheologie
[2018]
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| In: |
Journal for religion, film and media
Year: 2018, Volume: 4, Issue: 2, Pages: 83-113 |
| Standardized Subjects / Keyword chains: | B
Godard, Jean-Luc 1930-2022
/ Film
/ Conceptualism
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| IxTheo Classification: | AB Philosophy of religion; criticism of religion; atheism CD Christianity and Culture ZB Sociology |
| Further subjects: | B
La nouvelle Vague
B Natural Science B Anarchism B Adieu au langage B Jean-Luc Godard B Conceptual Art B L'histoires du cinéma |
| Online Access: |
Volltext (doi) Volltext (kostenfrei) |