Peter Howson and the Language of Salvation: The Role of the Grotesque in Redemption's Hades Cycle
Since his conversion to Christianity in 2001, Peter Howson's religious paintings have generally been met with critical incomprehension. A case in point was his 2012 exhibition Redemption, where reviewers suggested an irreconcilable incongruity between its grotesque imagery and redemption, the e...
| Auteur principal: | |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
[2019]
|
| Dans: |
Religion and the arts
Année: 2019, Volume: 23, Numéro: 1/2, Pages: 76-99 |
| Sujets / Chaînes de mots-clés standardisés: | B
Howson, Peter 1958-
/ Peinture religieux
/ Grotesque (Art)
/ Rédemption
|
| Classifications IxTheo: | CE Art chrétien NBQ Eschatologie |
| Sujets non-standardisés: | B
Salvation
B religious art B depravity B Peter Howson B Grotesque B Conversion B Hell |
| Accès en ligne: |
Volltext (Resolving-System) Volltext (doi) |
