Brother "Killer" Kane: Resistance, Identification, and the Intersection of Rock Music and Religious Values in New York Doll
This essay contributes an analysis of a popular culture text as a mediated representation of conversion and religious identification. Using Kenneth Burke's (1984) critical concepts of identification and framing, the 2005 independent film New York Doll is analyzed as a site of the intersection b...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Routledge, Taylor and Francis Group
[2019]
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| In: |
Journal of media and religion
Year: 2019, Volume: 18, Issue: 2, Pages: 50-60 |
| Standardized Subjects / Keyword chains: | B
Burke, Kenneth 1897-1993
/ New York Doll
/ Religious identity
/ Conversion (Religion)
/ Mormon
B Rock music (motif) / Religion |
| IxTheo Classification: | AD Sociology of religion; religious policy KDH Christian sects |
| Online Access: |
Volltext (Resolving-System) |