Brother "Killer" Kane: Resistance, Identification, and the Intersection of Rock Music and Religious Values in New York Doll
This essay contributes an analysis of a popular culture text as a mediated representation of conversion and religious identification. Using Kenneth Burke's (1984) critical concepts of identification and framing, the 2005 independent film New York Doll is analyzed as a site of the intersection b...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Routledge, Taylor and Francis Group
[2019]
|
| In: |
Journal of media and religion
Year: 2019, Volume: 18, Issue: 2, Pages: 50-60 |
| Standardized Subjects / Keyword chains: | B
Burke, Kenneth 1897-1993
/ New York Doll
/ Religious identity
/ Conversion (Religion)
/ Mormon
B Rock music (motif) / Religion |
| IxTheo Classification: | AD Sociology of religion; religious policy KDH Christian sects |
| Online Access: |
Volltext (Resolving-System) |
MARC
| LEADER | 00000caa a22000002 4500 | ||
|---|---|---|---|
| 001 | 168114333X | ||
| 003 | DE-627 | ||
| 005 | 20200727181833.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 191106s2019 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.1080/15348423.2019.1651575 |2 doi | |
| 035 | |a (DE-627)168114333X | ||
| 035 | |a (DE-599)KXP168114333X | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 0 |2 ssgn | ||
| 100 | 1 | |a Church, Scott Haden |e VerfasserIn |4 aut | |
| 245 | 1 | 0 | |a Brother "Killer" Kane |b Resistance, Identification, and the Intersection of Rock Music and Religious Values in New York Doll |c Scott Haden Church |
| 264 | 1 | |c [2019] | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a This essay contributes an analysis of a popular culture text as a mediated representation of conversion and religious identification. Using Kenneth Burke's (1984) critical concepts of identification and framing, the 2005 independent film New York Doll is analyzed as a site of the intersection between religion as tradition and music as resistance. An inductive analysis of the film is conducted examining a) the cultural processes of identity, oppression, and resistance and b) the tension between punk rock culture and Mormon culture. Kane, the ex-rock star and LDS convert protagonist of the film presents a locus of the tension between these cultural processes. Ultimately, though this tension remains unresolved, the author concludes that both music and religion can be mutually oppressive and resistant. | ||
| 601 | |a New York, NY | ||
| 652 | |a AD:KDH | ||
| 689 | 0 | 0 | |d p |0 (DE-588)118517716 |0 (DE-627)079320023 |0 (DE-576)160489261 |2 gnd |a Burke, Kenneth |d 1897-1993 |
| 689 | 0 | 1 | |d u |0 (DE-588)1214615716 |0 (DE-627)1725616750 |a New York Doll |2 gnd |
| 689 | 0 | 2 | |d s |0 (DE-588)4354651-1 |0 (DE-627)181259605 |0 (DE-576)211562815 |2 gnd |a Religiöse Identität |
| 689 | 0 | 3 | |d s |0 (DE-588)4127377-1 |0 (DE-627)104558911 |0 (DE-576)209593121 |2 gnd |a Konversion |g Religion |
| 689 | 0 | 4 | |d s |0 (DE-588)7537169-8 |0 (DE-627)516119125 |0 (DE-576)256075352 |2 gnd |a Mormone |
| 689 | 0 | |5 (DE-627) | |
| 689 | 1 | 0 | |d s |0 (DE-588)4115774-6 |0 (DE-627)105811815 |0 (DE-576)209495936 |2 gnd |a Rockmusik |
| 689 | 1 | 1 | |d s |0 (DE-588)4049396-9 |0 (DE-627)106187155 |0 (DE-576)209081880 |2 gnd |a Religion |
| 689 | 1 | |5 (DE-627) | |
| 773 | 0 | 8 | |i Enthalten in |t Journal of media and religion |d New York, NY : Routledge, Taylor and Francis Group, 2002 |g 18(2019), 2, Seite 50-60 |w (DE-627)35716749X |w (DE-600)2094079-8 |w (DE-576)117513679 |x 1534-8415 |7 nnns |
| 773 | 1 | 8 | |g volume:18 |g year:2019 |g number:2 |g pages:50-60 |
| 856 | 4 | 0 | |u https://doi.org/10.1080/15348423.2019.1651575 |x Resolving-System |
| 936 | u | w | |d 18 |j 2019 |e 2 |h 50-60 |
| 951 | |a AR | ||
| ELC | |a 1 | ||
| ITA | |a 1 |t 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 353800479X | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 168114333X | ||
| LOK | |0 005 20200514152239 | ||
| LOK | |0 008 191106||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a ixzs |a ixzo | ||
| LOK | |0 936ln |0 1442043016 |a AD | ||
| LOK | |0 936ln |0 1550736167 |a KDH | ||
| ORI | |a SA-MARC-ixtheoa001.raw | ||
| REL | |a 1 | ||
| STA | 0 | 0 | |a Mormon,Religion,Religion in literature,Religions,Religion,Religious identity,Religious identity,Identity,Rock music (motif),Rock music |
| STB | 0 | 0 | |a Identité religieuse,Identité religieuse,Mormon,Musique rock (motif),Rock,Religion,Religions,Religion |
| STC | 0 | 0 | |a Identidad religiosa,Identidad religiosa,Mormón,Música rock,Religión,Religión,Religión |
| STD | 0 | 0 | |a Identità religiosa,Identità religiosa,Mormone,Musica rock,Religione,Religione,Religione |
| STE | 0 | 0 | |a 宗教,宗教,宗教身份,宗教认同,摇滚乐,摇滚舞乐,摇滚音乐 |
| STF | 0 | 0 | |a 宗教,宗教,宗教身份,宗教認同,搖滾樂,搖滾舞樂,搖滾音樂 |
| STG | 0 | 0 | |a Identidade religiosa,Identidade religiosa,Mórmon,Música rock,Religião,Religião |
| STH | 0 | 0 | |a Мормон,Религиозная личность (мотив),Религиозное сознание,Религия,Религия (мотив),Рок-музыка |
| STI | 0 | 0 | |a Θρησκεία,Θρησκεία (μοτίβο),Θρησκευτική ταυτότητα (μοτίβο),Θρησκευτική ταυτότητα,Μορμόνος,Ροκ μουσική |
| SUB | |a REL | ||
| SYG | 0 | 0 | |a Burke, Kenneth Duva,1897-1993 , Religiöses Bewusstsein , Konvertierung,Konversionsstörung,Kirchenübertritt,Konfessionswechsel,Konvertierung , Religion,Mystik,Mythologie |