"I Knew Him, Horatio": Shakespeare's Beliefs, Early Textual Editing, and Nineteenth-Century Phrenology
As Hamlet gazes into Yorick's skull, he reassembles the quirks of the jester's personhood and also imagines a self that he used to be, in relation to Yorick. Partially through the lens of Hamlet, characterized by A.C. Bradley as Shakespeare's most "religious" play, this essa...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
[2019]
|
| In: |
Religions
Year: 2019, Volume: 10, Issue: 4, Pages: 1-14 |
| Further subjects: | B
Hamlet
B Shakespeare's skull B Shakespeare's religion B Yorick B textual-editing B C.M. Ingleby B phrenology |
| Online Access: |
Volltext (doi) Volltext (kostenfrei) |