"I Knew Him, Horatio": Shakespeare's Beliefs, Early Textual Editing, and Nineteenth-Century Phrenology
As Hamlet gazes into Yorick's skull, he reassembles the quirks of the jester's personhood and also imagines a self that he used to be, in relation to Yorick. Partially through the lens of Hamlet, characterized by A.C. Bradley as Shakespeare's most "religious" play, this essa...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
[2019]
|
| In: |
Religions
Year: 2019, Volume: 10, Issue: 4, Pages: 1-14 |
| Further subjects: | B
Hamlet
B Shakespeare's skull B Shakespeare's religion B Yorick B textual-editing B C.M. Ingleby B phrenology |
| Online Access: |
Volltext (doi) Volltext (kostenfrei) |
MARC
| LEADER | 00000caa a22000002 4500 | ||
|---|---|---|---|
| 001 | 1671406389 | ||
| 003 | DE-627 | ||
| 005 | 20240409125445.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 190814s2019 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.3390/rel10040236 |2 doi | |
| 035 | |a (DE-627)1671406389 | ||
| 035 | |a (DE-599)KXP1671406389 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 0 |2 ssgn | ||
| 100 | 1 | |e VerfasserIn |0 (DE-588)1030580855 |0 (DE-627)735568618 |0 (DE-576)378440489 |4 aut |a Hampton, Bryan Adams | |
| 109 | |a Hampton, Bryan Adams | ||
| 245 | 1 | 0 | |a "I Knew Him, Horatio" |b Shakespeare's Beliefs, Early Textual Editing, and Nineteenth-Century Phrenology |c Bryan Adams Hampton |
| 264 | 1 | |c [2019] | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a As Hamlet gazes into Yorick's skull, he reassembles the quirks of the jester's personhood and also imagines a self that he used to be, in relation to Yorick. Partially through the lens of Hamlet, characterized by A.C. Bradley as Shakespeare's most "religious" play, this essay interrogates how several eighteenth-century textual editors, and some nineteenth-century scholars and popular admirers, imagine and construct Shakespeare's beliefs: the first, through their efforts to reassemble the textual "bones" of Shakespeare's works; and the second, through the rising pseudoscience of phrenology, operating in the background in the national debate to exhume and examine Shakespeare's skull. | ||
| 650 | 4 | |a C.M. Ingleby | |
| 650 | 4 | |a Hamlet | |
| 650 | 4 | |a Shakespeare's religion | |
| 650 | 4 | |a Shakespeare's skull | |
| 650 | 4 | |a Yorick | |
| 650 | 4 | |a phrenology | |
| 650 | 4 | |a textual-editing | |
| 773 | 0 | 8 | |i Enthalten in |t Religions |d Basel : MDPI, 2010 |g 10(2019), 4, Seite 1-14 |h Online-Ressource |w (DE-627)665435797 |w (DE-600)2620962-7 |w (DE-576)348219067 |x 2077-1444 |7 nnns |
| 773 | 1 | 8 | |g volume:10 |g year:2019 |g number:4 |g pages:1-14 |
| 856 | |u https://www.mdpi.com/2077-1444/10/4/236/pdf?version=1555409353 |x unpaywall |z Vermutlich kostenfreier Zugang |h publisher [oa journal (via doaj)] | ||
| 856 | 4 | 0 | |u https://www.mdpi.com/2077-1444/10/4/236 |x Resolving-System |z kostenfrei |3 Volltext |
| 856 | |u https://doi.org/10.3390/rel10040236 |x doi |3 Volltext | ||
| 951 | |a AR | ||
| ELC | |a 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 3507034158 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1671406389 | ||
| LOK | |0 005 20190814144227 | ||
| LOK | |0 008 190814||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a ixzs |a ixzo | ||
| OAS | |a 1 | ||
| ORI | |a TA-MARC-ixtheoa001.raw | ||
| REL | |a 1 | ||
| SUB | |a REL | ||