The final portrait of Christ
Artistic presentations of Jesus are as numerous and varied as the artists who created them. Whether on canvas or in music, Jesus has been portrayed as a redeemer, revolutionary, teacher, and clown. While some people are inspired by a particular presentation of Jesus, others are angered and incensed...
| Published in: | Journal of religion and health |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Springer Science + Business Media B. V.
[1989]
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| In: |
Journal of religion and health
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| Further subjects: | B
Personal Experience
B Artistic Presentation B Unconscious Level |
| Online Access: |
Volltext (Resolving-System) |
| Summary: | Artistic presentations of Jesus are as numerous and varied as the artists who created them. Whether on canvas or in music, Jesus has been portrayed as a redeemer, revolutionary, teacher, and clown. While some people are inspired by a particular presentation of Jesus, others are angered and incensed at what they perceive to be blasphemous. An example of the latter is Martin Scorsese's film, "The Last Temptation of Christ." This article examines why people responded so negatively to this and other artistic presentations of Jesus. It suggests they have failed to recognize how the portrayal reflects a personal experience of the artist and is not meant to be a final portrait of Christ. And on a more unconscious level, these works of art evoke feelings within people which they fear to acknowledge and which they escape by condemning the work. |
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| ISSN: | 1573-6571 |
| Contains: | Enthalten in: Journal of religion and health
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| Persistent identifiers: | DOI: 10.1007/BF00987751 |