Hebrew gothic: history and the poetics of persecution

Introduction: Gothic Matters -- Always Already Gothic: S. Y. Agnon's Tales of Terror and the Spectral European Jewish Past -- Maternal Macabre: Feminine Subjectivity at the Edge of the Shtetl in Dvora Baron and Jacob Steinberg -- After the Nightmare of the Holocaust: Gothic Temporalities and th...

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Bibliographic Details
Main Author: Grumberg, Karen (Author)
Format: Print Book
Language:English
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WorldCat: WorldCat
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Published: Bloomington Indiana University Press 2019
In:Year: 2019
Reviews:[Rezension von: Grumberg, Karen, Hebrew gothic] (2021) (Barzilai, Maya)
Series/Journal:Jewish literature and culture
Standardized Subjects / Keyword chains:B Hebrew language / Literature / Gothic fiction (Literary genre) / Gothic fiction (Literary genre)
B ʿAgnon, Shemuʾel Yosef 1888-1970 / Šṭaynberg, Šîrat Yaʿaqōv 1887-1947 / Goldberg, Leʾah 1911-1970 / ʿOz, Amos 1939-2018 / Yehoshuʿa, Avraham B. 1936-2022 / Morrison, Toni 1931-2019 / Poe, Edgar Allan 1809-1849 / Baron, Devorah 1887-1956
Further subjects:B Hebrew literature History and criticism
B Gothic fiction (Literary genre) History and criticism

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520 |a Introduction: Gothic Matters -- Always Already Gothic: S. Y. Agnon's Tales of Terror and the Spectral European Jewish Past -- Maternal Macabre: Feminine Subjectivity at the Edge of the Shtetl in Dvora Baron and Jacob Steinberg -- After the Nightmare of the Holocaust: Gothic Temporalities and the Insecure Sanctuary in Lea Goldberg's "The Lady of the Castle" and Edgar Allan Poe's "The Masque of the Red Death" -- Dark Jerusalem: Amos Oz's Anxious Literary Cartography Between 1948 and -- Historiographic Perversions: Echoes of Otranto in A. B. Yehoshua's Mr. Mani -- A Séance for the Self: Memory, Non-Memory and the Re-Orientation of History in Almog Behar and Toni Morrison -- Coda: "Here are our monsters": Hebrew Horror from the Political to Pop 
520 |a "Sinister tales written since the early 20th century by the foremost Hebrew authors, including S. Y. Agnon, Leah Goldberg, and Amos Oz, reveal a darkness at the foundation of Hebrew culture. The ghosts of a murdered Talmud scholar and his kidnapped bride rise from their graves for a nocturnal dance of death; a girl hidden by a count in a secret chamber of an Eastern European castle emerges to find that, unbeknownst to her, World War II ended years earlier; a man recounts the act of incest that would shape a trajectory of personal and national history. Reading these works together with central British and American gothic texts, Karen Grumberg illustrates that modern Hebrew literature has regularly appropriated key gothic ideas to help conceptualize the Jewish relationship to the past and, more broadly, to time. She explores why these authors were drawn to the gothic, originally a European mode associated with antisemitism, and how they use it to challenge assumptions about power and powerlessness, vulnerability and violence, and to shape modern Hebrew culture. Grumberg provides an original perspective on Hebrew literary engagement with history and sheds new light on the tensions that continue to characterize contemporary Israeli cultural and political rhetoric"-- 
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