John Prine's Images of God and Male Melancholia: Terror, Forgiveness, and the Persistence of Desire
Examines the God-representations of the country-folk singer John Prine in the light of psychological theory about male melancholia, drawing from Donald Capps and Erik H. Erikson. Describes the manner in which songwriting serves as a therapeutic enterprise to express and interpret melancholia in Prin...
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Springer Science + Business Media B. V.
[2007]
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| Dans: |
Journal of religion and health
Année: 2007, Volume: 46, Numéro: 3, Pages: 359-368 |
| Sujets non-standardisés: | B
Male Melancholia
B Spirituality B Donald Capps B songwriting B God-images B Mourning B John Prine |
| Accès en ligne: |
Volltext (Resolving-System) |
| Résumé: | Examines the God-representations of the country-folk singer John Prine in the light of psychological theory about male melancholia, drawing from Donald Capps and Erik H. Erikson. Describes the manner in which songwriting serves as a therapeutic enterprise to express and interpret melancholia in Prine's lyrics, especially in the songs "Saddle in the Rain" and "Fish and Whistle." At times these images evoke terror and at other times they humorously erase the authority divide between the divine and the human, suggesting that God may even need to be forgiven. Describing how melancholia is rooted in the man's experience with mother, this article interprets Prine's image of God in light of the need for sustenance, acknowledgement, and care. |
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| ISSN: | 1573-6571 |
| Contient: | Enthalten in: Journal of religion and health
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| Persistent identifiers: | DOI: 10.1007/s10943-006-9102-1 |