Rubens's Dying Seneca and Masculinity
This essay reconstructs the reception of Rubens's moving painting of Seneca's death (ca. 1615, Alte Pinakothek, Munich), based on Tacitus's narrative in the Annals, by men who were its likely target audience: educated professionals influenced by Neostoicism and Justus Lipsius's w...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
[2018]
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| In: |
The sixteenth century journal
Year: 2018, Volume: 49, Issue: 3, Pages: 663-690 |
| IxTheo Classification: | NBE Anthropology TJ Modern history |
| Further subjects: | B
RUBENS, Peter Paul, Sir, 1577-1640
B MASCULINITY in art B TACITUS, Cornelius, 56-117 B LIPSIUS, Justus, 1547-1606 B Feminist Theory B SENECA, Lucius Annaeus, ca. 4 B.C.-65 A.D B Transcendence (Philosophy) B NEO-Stoicism |
| Online Access: |
Volltext (Lizenzpflichtig) |
