TheoArtistry: collaborations with Sir James MacMillan and Michael Symmons Roberts
Can the distance between the academic and the artist be overcome within the realm of theology? The TheoArtistry initiative within the Institute for Theology, Imagination and the Arts answers with a resounding 'yes' in its two collaborative projects partnering artists and theologians. This...
| Autor principal: | |
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| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Journals Online & Print: | Carregar...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado em: |
Sage
[2019]
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| Em: |
Theology
Ano: 2019, Volume: 122, Número: 2, Páginas: 100-107 |
| Classificações IxTheo: | CD Cristianismo ; Cultura RD Hinologia |
| Outras palavras-chave: | B
ITIA
B Collaboration B Poetry B sacred music B theology and the arts |
| Acesso em linha: |
Volltext (Resolving-System) |
| Resumo: | Can the distance between the academic and the artist be overcome within the realm of theology? The TheoArtistry initiative within the Institute for Theology, Imagination and the Arts answers with a resounding 'yes' in its two collaborative projects partnering artists and theologians. This article looks at the composers' scheme and sacred music from a broad view, then gives particular focus to the poets' scheme and a specific collaboration between the author and the poet Maria Apichella. The article concludes with theological reflections and practical considerations regarding this theologian-artist collaborative effort. |
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| ISSN: | 2044-2696 |
| Obras secundárias: | Enthalten in: Theology
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| Persistent identifiers: | DOI: 10.1177/0040571X18817435 |