TheoArtistry: collaborations with Sir James MacMillan and Michael Symmons Roberts
Can the distance between the academic and the artist be overcome within the realm of theology? The TheoArtistry initiative within the Institute for Theology, Imagination and the Arts answers with a resounding 'yes' in its two collaborative projects partnering artists and theologians. This...
| Publié dans: | Theology |
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| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Sage
[2019]
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| Dans: |
Theology
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| Classifications IxTheo: | CD Christianisme et culture RD Hymnologie |
| Sujets non-standardisés: | B
ITIA
B Collaboration B Poetry B sacred music B theology and the arts |
| Accès en ligne: |
Volltext (Resolving-System) |
| Résumé: | Can the distance between the academic and the artist be overcome within the realm of theology? The TheoArtistry initiative within the Institute for Theology, Imagination and the Arts answers with a resounding 'yes' in its two collaborative projects partnering artists and theologians. This article looks at the composers' scheme and sacred music from a broad view, then gives particular focus to the poets' scheme and a specific collaboration between the author and the poet Maria Apichella. The article concludes with theological reflections and practical considerations regarding this theologian-artist collaborative effort. |
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| ISSN: | 2044-2696 |
| Contient: | Enthalten in: Theology
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| Persistent identifiers: | DOI: 10.1177/0040571X18817435 |