'One Friendly Flood': Richard Crashaw's Community of Strangers

This article concerns two of Richard Crashaw's oddities: the prevalence of women religious and the over-saturation of fluids. These facets of Crashaw's verse have captivated scholars and already induced interesting work. While scholars tend to emphasise Crashaw's religious and fluid c...

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Bibliographic Details
Main Author: Murray, Caleb T. (Author)
Format: Electronic Article
Language:English
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Published: Oxford University Press [2017]
In: Literature and theology
Year: 2017, Volume: 31, Issue: 4, Pages: 490-502
IxTheo Classification:CD Christianity and Culture
CH Christianity and Society
KAH Church history 1648-1913; modern history
KCA Monasticism; religious orders
Online Access: Volltext (Resolving-System)
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Summary:This article concerns two of Richard Crashaw's oddities: the prevalence of women religious and the over-saturation of fluids. These facets of Crashaw's verse have captivated scholars and already induced interesting work. While scholars tend to emphasise Crashaw's religious and fluid content (often in terms of its lyrical excess and its role in religious ecstasy, which is cast as the solitary fancy of the poet), this article analyses Crashaw's content in light of his 'fluid form' in order to complicate an underlying assumption in Crashaw scholarship, namely, that ecstatic states are primarily solitary, typified by the subject's excessive overcoming of self. The task of recasting Crashavian ecstasy will lend added texture to a reconceptualisation of Crashaw's association with foreignness and its operation in promoting a paradoxical Christian communion.
ISSN:1477-4623
Contains:Enthalten in: Literature and theology
Persistent identifiers:DOI: 10.1093/litthe/frx005