'Ni Avec Toi, Ni Sans Toi': The Deconsecration of the Grail in Julien Gracq
In 1938, Julien Gracq wrote Au château d'Argol, a novel that had the theme of Perceval and the Grail running through it like a seam of ore. Despite Gracq's own lack of faith, he cleverly used the Grail's Christian connotations for their power and mystery. Two years later, in 1940, in...
| Κύριος συγγραφέας: | |
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| Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Έκδοση: |
[2017]
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| Στο/Στη: |
Literature and theology
Έτος: 2017, Τόμος: 31, Τεύχος: 3, Σελίδες: 355-370 |
| Σημειογραφίες IxTheo: | CD Χριστιανισμός και Πολιτισμός KBG Γαλλία ΤΚ Σύγχρονη Εποχή |
| Διαθέσιμο Online: |
Volltext (Resolving-System) Volltext (doi) |
| Σύνοψη: | In 1938, Julien Gracq wrote Au château d'Argol, a novel that had the theme of Perceval and the Grail running through it like a seam of ore. Despite Gracq's own lack of faith, he cleverly used the Grail's Christian connotations for their power and mystery. Two years later, in 1940, in his play Le roi pêcheur, he felt compelled to purge that same theme of every Christian implication. This article undertakes to explain the role of the second World War and the Vichy administration in that artistic decision. |
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| ISSN: | 1477-4623 |
| Περιλαμβάνει: | Enthalten in: Literature and theology
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| Persistent identifiers: | DOI: 10.1093/litthe/frw038 |
