The Ambiguities of Creatureliness: From Hamann to Celan

This article relates the post-war Jewish poet Paul Celan's notion of creatureliness to the narrative of the Fall as modulated by the preromantic philosopher J. G. Hamann, conceived not as transcendental spirit's fall from self-presence into the temporal, material world, but rather as an al...

Ausführliche Beschreibung

Gespeichert in:  
Bibliographische Detailangaben
1. VerfasserIn: Løvaas, Kari (Verfasst von)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
Verfügbarkeit prüfen: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Veröffentlicht: [2017]
In: Literature and theology
Jahr: 2017, Band: 31, Heft: 3, Seiten: 255-268
IxTheo Notationen:CD Christentum und Kultur
NBB Offenbarungslehre
NBC Gotteslehre
NBE Anthropologie
VA Philosophie
Online-Zugang: Volltext (Resolving-System)
Volltext (doi)
Beschreibung
Zusammenfassung:This article relates the post-war Jewish poet Paul Celan's notion of creatureliness to the narrative of the Fall as modulated by the preromantic philosopher J. G. Hamann, conceived not as transcendental spirit's fall from self-presence into the temporal, material world, but rather as an alienating process taking place in language itself, making creation hostage to instrumental reason. The article traces the influence of Hamann's poetics of attentiveness on the language theories of Walter Benjamin and Martin Heidegger, and shows how Celan is both fascinated by and engages critically with the idea of poetry as a "pure" performative, pre-lapsarian language of revelation.
ISSN:1477-4623
Enthält:Enthalten in: Literature and theology
Persistent identifiers:DOI: 10.1093/litthe/frw031