The Ambiguities of Creatureliness: From Hamann to Celan

This article relates the post-war Jewish poet Paul Celan's notion of creatureliness to the narrative of the Fall as modulated by the preromantic philosopher J. G. Hamann, conceived not as transcendental spirit's fall from self-presence into the temporal, material world, but rather as an al...

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Bibliographic Details
Main Author: Løvaas, Kari (Author)
Format: Electronic Article
Language:English
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Published: Oxford University Press [2017]
In: Literature and theology
Year: 2017, Volume: 31, Issue: 3, Pages: 255-268
IxTheo Classification:CD Christianity and Culture
NBB Doctrine of Revelation
NBC Doctrine of God
NBE Anthropology
VA Philosophy
Online Access: Volltext (Resolving-System)
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Summary:This article relates the post-war Jewish poet Paul Celan's notion of creatureliness to the narrative of the Fall as modulated by the preromantic philosopher J. G. Hamann, conceived not as transcendental spirit's fall from self-presence into the temporal, material world, but rather as an alienating process taking place in language itself, making creation hostage to instrumental reason. The article traces the influence of Hamann's poetics of attentiveness on the language theories of Walter Benjamin and Martin Heidegger, and shows how Celan is both fascinated by and engages critically with the idea of poetry as a "pure" performative, pre-lapsarian language of revelation.
ISSN:1477-4623
Contains:Enthalten in: Literature and theology
Persistent identifiers:DOI: 10.1093/litthe/frw031