Music's Multilayered Subversion of the Word
This article explores the polyvalent nature of musical meaning and its contribution to theological reflection in a hermeneutical key, from the perspective of two composers in dialogue about their music. Against an analytical theoretical backdrop drawn from both musicology and theology-Jean-Jacques N...
| Autores principales: | ; |
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| Tipo de documento: | Electrónico Artículo |
| Lenguaje: | Inglés |
| Verificar disponibilidad: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado: |
[2017]
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| En: |
Literature and theology
Año: 2017, Volumen: 31, Número: 2, Páginas: 200-214 |
| Clasificaciones IxTheo: | CD Cristianismo ; Cultura FA Teología RD Himnología VB Hermenéutica ; Filosofía |
| Acceso en línea: |
Volltext (Resolving-System) Volltext (doi) |
| Sumario: | This article explores the polyvalent nature of musical meaning and its contribution to theological reflection in a hermeneutical key, from the perspective of two composers in dialogue about their music. Against an analytical theoretical backdrop drawn from both musicology and theology-Jean-Jacques Nattiez's semiological tripartition method and Bernard Lonergan's understanding of consciousness and intentional analysis-the article explores various aspects of the relationship between words and music from a theological perspective. The aim is to present and exemplify music's contribution to the resonance and complexity of words and thought in theological discourse. |
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| ISSN: | 1477-4623 |
| Obras secundarias: | Enthalten in: Literature and theology
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| Persistent identifiers: | DOI: 10.1093/litthe/frx014 |
