Music's Multilayered Subversion of the Word
This article explores the polyvalent nature of musical meaning and its contribution to theological reflection in a hermeneutical key, from the perspective of two composers in dialogue about their music. Against an analytical theoretical backdrop drawn from both musicology and theology-Jean-Jacques N...
| Κύριοι συγγραφείς: | ; |
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| Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Έκδοση: |
[2017]
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| Στο/Στη: |
Literature and theology
Έτος: 2017, Τόμος: 31, Τεύχος: 2, Σελίδες: 200-214 |
| Σημειογραφίες IxTheo: | CD Χριστιανισμός και Πολιτισμός FA Θεολογία RD Υμνολογία VB Λογική, Φιλοσοφική Ερμηνευτική, Φιλοσοφικό δόγμα της γνώσης |
| Διαθέσιμο Online: |
Volltext (Resolving-System) Volltext (doi) |
| Σύνοψη: | This article explores the polyvalent nature of musical meaning and its contribution to theological reflection in a hermeneutical key, from the perspective of two composers in dialogue about their music. Against an analytical theoretical backdrop drawn from both musicology and theology-Jean-Jacques Nattiez's semiological tripartition method and Bernard Lonergan's understanding of consciousness and intentional analysis-the article explores various aspects of the relationship between words and music from a theological perspective. The aim is to present and exemplify music's contribution to the resonance and complexity of words and thought in theological discourse. |
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| ISSN: | 1477-4623 |
| Περιλαμβάνει: | Enthalten in: Literature and theology
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| Persistent identifiers: | DOI: 10.1093/litthe/frx014 |
