Music's Multilayered Subversion of the Word
This article explores the polyvalent nature of musical meaning and its contribution to theological reflection in a hermeneutical key, from the perspective of two composers in dialogue about their music. Against an analytical theoretical backdrop drawn from both musicology and theology-Jean-Jacques N...
| Autori: | ; |
|---|---|
| Tipo di documento: | Elettronico Articolo |
| Lingua: | Inglese |
| Verificare la disponibilità: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Pubblicazione: |
[2017]
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| In: |
Literature and theology
Anno: 2017, Volume: 31, Fascicolo: 2, Pagine: 200-214 |
| Notazioni IxTheo: | CD Cristianesimo; cultura FA Teologia RD Innologia VB Ermeneutica; Filosofia |
| Accesso online: |
Volltext (Resolving-System) Volltext (doi) |
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| 520 | |a This article explores the polyvalent nature of musical meaning and its contribution to theological reflection in a hermeneutical key, from the perspective of two composers in dialogue about their music. Against an analytical theoretical backdrop drawn from both musicology and theology-Jean-Jacques Nattiez's semiological tripartition method and Bernard Lonergan's understanding of consciousness and intentional analysis-the article explores various aspects of the relationship between words and music from a theological perspective. The aim is to present and exemplify music's contribution to the resonance and complexity of words and thought in theological discourse. | ||
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