The Orthodox Church: Back to Progress
There is an increased tendency inside the Orthodox Churches to reject the socio-cultural changes brought about by postmodernity and seek the restoration of an idealized past. In this article, I argue against this trend and set the premises for a constructive Orthodox engagement with secular postmode...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Sage
[2018]
|
| In: |
Irish theological quarterly
Year: 2018, Volume: 83, Issue: 3, Pages: 235-249 |
| Standardized Subjects / Keyword chains: | B
Rumänisch-Orthodoxe Kirche
/ Stăniloae, Dumitru 1903-1993
/ Spirituality
/ Deification
|
| IxTheo Classification: | CB Christian life; spirituality KAJ Church history 1914-; recent history KBK Europe (East) KDF Orthodox Church |
| Further subjects: | B
Orthodox Church
B Progress B Dumitru Staniloae B Communism B History B Romance language area |
| Online Access: |
Volltext (Resolving-System) |
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| 520 | |a There is an increased tendency inside the Orthodox Churches to reject the socio-cultural changes brought about by postmodernity and seek the restoration of an idealized past. In this article, I argue against this trend and set the premises for a constructive Orthodox engagement with secular postmodernity. Initially, I point out that in the patristic frame of thought, the movement of history receives a positive value as part of God's plan to lead humankind to deification. In order to show how this motion towards deification can be discerned in a modern setting, I turn to Dumitru Staniloae, who interpreted and applied the patristic vision of history in the context of communist Romania. Using Staniloae's criteria for evaluating the communist regime, I suggest that Orthodoxy and postmodernity might have more in common than what was initially thought and argue for a re-evaluation of the Orthodox approach to the major tropes of postmodernity. | ||
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