Space, time, and presence in the icon: seeing the world with the eyes of God

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Bibliographic Details
Main Author: Antonova, Clemena 1970- (Author)
Contributors: Kemp, Martin 1942- (Editor)
Format: Print Book
Language:English
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WorldCat: WorldCat
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Abingdon New York Ashgate 2016
In:Year: 2016
Series/Journal:Ashgate studies in theology, imagination and the arts
Standardized Subjects / Keyword chains:B Byzantinismus / Christian art / Presence of God / Space-time (Motif) / Iconography / Abstraction
Further subjects:B Space and time Religious aspects Christianity
B Perspective
B Space and time in art
B Icons, Byzantine
B Icons
B God (Christianity) Eternity
B Florenskiĭ, P. A (Pavel Aleksandrovich), 1882-1937

MARC

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245 1 0 |a Space, time, and presence in the icon  |b seeing the world with the eyes of God  |c Clemena Antonova ; With a preface by Martin Kemp 
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490 0 |a Ashgate studies in theology, imagination and the arts 
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505 8 0 |a The role of time in pictorial art -- The role of time in the visual arts : seeing a picture in the twinkling of an eye -- The doctrine of the purity of art -- The problem of pictorial time in the icon : Florensky and remembering things that happened the week after next -- The problem of time in the pictorial arts Bakhtin's chronotope -- On reverse perspective : a critical reading -- Implications of the term reverse perspective : reverse of what? -- First stage : Florensky -- Second stage : Zhegin -- Third stage : Boris Uspensky -- An alternative view : Karl Doehlemann -- Registering presence in the icon -- The cult of images and Eastern Orthodox identity -- The western position : a critical reappraisal -- Icon and relic -- Real presence in the image -- Classical antique sources -- Christian sources : Byzantine theology of the image -- A modern view : the icon as symbol in Florensky's writings -- Seeing the world with the eyes of God : an alternative explanation of reverse perspective -- A new definition of reverse perspective as a prerequisite for the present hypothesis -- The cubist background -- The theosophical background -- Classical Greek sources on divine eternity -- Christian sources on divine eternity -- Theology through liturgy -- Theology through the arts -- The present hypothesis in context -- Leibniz and the way God sees things -- Schopenhauer and art as a repetition of eternity -- Worringer's eternalization of the object. 
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STD 0 0 |a Arte cristiana,Astrazione,Iconografia,Presenza di Dio 
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STF 0 0 |a 基督教藝術,抽象化,神的臨在,上帝的臨在,神的同在,聖像學 
STG 0 0 |a Abstração,Arte sacra cristã,Iconografia,Presença divina 
STH 0 0 |a Абстракция,Божье присутствие,Иконография,Христианское искусство 
STI 0 0 |a Αφαίρεση,Εικονογραφία,Παρουσία του Θεού,Χριστιανική τέχνη 
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