Shades of Bliss: Imagining Heaven in Wallace Stevens and Richard Wilbur
Richard Wilbur's "A Baroque Wall-Fountain in the Villa Sciarra" describes fountains which embody different conceptions of human virtue expressed in contrasting religious systems. Wallace Stevens's "A High-Toned Old Christian Woman" similarly contrasts conceptions of vir...
| 發表在: | Christianity & literature |
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| 主要作者: | |
| 格式: | 電子 Article |
| 語言: | English |
| Check availability: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| 出版: |
Johns Hopkins University Press
[2019]
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| In: |
Christianity & literature
Year: 2019, 卷: 68, 發布: 2, Pages: 252-271 |
| IxTheo Classification: | CD Christianity and Culture NBE Anthropology |
| Further subjects: | B
Richard Wilbur
B Nietzsche B Wallace Stevens B Freud B 渴望 |
| 在線閱讀: |
Volltext (Resolving-System) |
| 總結: | Richard Wilbur's "A Baroque Wall-Fountain in the Villa Sciarra" describes fountains which embody different conceptions of human virtue expressed in contrasting religious systems. Wallace Stevens's "A High-Toned Old Christian Woman" similarly contrasts conceptions of virtue with reference to worship-spaces taken as embodying the assumptions of competing religious systems. Stevens's speaker reaches the somewhat Nietzschean, somewhat Freudian conclusion that religious practice merely projects human desires; differences are relatively meaningless. Wilbur's speaker, developing Christian theological openness to the other, concludes that the differences between religions make possible a productive complementarity. |
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| ISSN: | 2056-5666 |
| Contains: | Enthalten in: Christianity & literature
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| Persistent identifiers: | DOI: 10.1177/0148333118772172 |