Shades of Bliss: Imagining Heaven in Wallace Stevens and Richard Wilbur
Richard Wilbur's "A Baroque Wall-Fountain in the Villa Sciarra" describes fountains which embody different conceptions of human virtue expressed in contrasting religious systems. Wallace Stevens's "A High-Toned Old Christian Woman" similarly contrasts conceptions of vir...
Опубликовано в: : | Christianity & literature |
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Главный автор: | |
Формат: | Электронный ресурс Статья |
Язык: | Английский |
Проверить наличие: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Опубликовано: |
Johns Hopkins University Press
[2019]
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В: |
Christianity & literature
Год: 2019, Том: 68, Выпуск: 2, Страницы: 252-271 |
Индексация IxTheo: | CD Христианство и культура NBE Антропология |
Другие ключевые слова: | B
Тоска
B Richard Wilbur B Nietzsche B Wallace Stevens B Freud |
Online-ссылка: |
Volltext (Resolving-System) |
Итог: | Richard Wilbur's "A Baroque Wall-Fountain in the Villa Sciarra" describes fountains which embody different conceptions of human virtue expressed in contrasting religious systems. Wallace Stevens's "A High-Toned Old Christian Woman" similarly contrasts conceptions of virtue with reference to worship-spaces taken as embodying the assumptions of competing religious systems. Stevens's speaker reaches the somewhat Nietzschean, somewhat Freudian conclusion that religious practice merely projects human desires; differences are relatively meaningless. Wilbur's speaker, developing Christian theological openness to the other, concludes that the differences between religions make possible a productive complementarity. |
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ISSN: | 2056-5666 |
Второстепенные работы: | Enthalten in: Christianity & literature
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Persistent identifiers: | DOI: 10.1177/0148333118772172 |