Shades of Bliss: Imagining Heaven in Wallace Stevens and Richard Wilbur
Richard Wilbur's "A Baroque Wall-Fountain in the Villa Sciarra" describes fountains which embody different conceptions of human virtue expressed in contrasting religious systems. Wallace Stevens's "A High-Toned Old Christian Woman" similarly contrasts conceptions of vir...
| Publicado no: | Christianity & literature |
|---|---|
| Autor principal: | |
| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Journals Online & Print: | Carregar...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado em: |
Johns Hopkins University Press
[2019]
|
| Em: |
Christianity & literature
Ano: 2019, Volume: 68, Número: 2, Páginas: 252-271 |
| Classificações IxTheo: | CD Cristianismo ; Cultura NBE Antropologia |
| Outras palavras-chave: | B
Richard Wilbur
B Nietzsche B Wallace Stevens B Freud B Anseio |
| Acesso em linha: |
Volltext (Resolving-System) |
| Resumo: | Richard Wilbur's "A Baroque Wall-Fountain in the Villa Sciarra" describes fountains which embody different conceptions of human virtue expressed in contrasting religious systems. Wallace Stevens's "A High-Toned Old Christian Woman" similarly contrasts conceptions of virtue with reference to worship-spaces taken as embodying the assumptions of competing religious systems. Stevens's speaker reaches the somewhat Nietzschean, somewhat Freudian conclusion that religious practice merely projects human desires; differences are relatively meaningless. Wilbur's speaker, developing Christian theological openness to the other, concludes that the differences between religions make possible a productive complementarity. |
|---|---|
| ISSN: | 2056-5666 |
| Obras secundárias: | Enthalten in: Christianity & literature
|
| Persistent identifiers: | DOI: 10.1177/0148333118772172 |