Shades of Bliss: Imagining Heaven in Wallace Stevens and Richard Wilbur
Richard Wilbur's "A Baroque Wall-Fountain in the Villa Sciarra" describes fountains which embody different conceptions of human virtue expressed in contrasting religious systems. Wallace Stevens's "A High-Toned Old Christian Woman" similarly contrasts conceptions of vir...
Pubblicato in: | Christianity & literature |
---|---|
Autore principale: | |
Tipo di documento: | Elettronico Articolo |
Lingua: | Inglese |
Verificare la disponibilità: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Pubblicazione: |
Johns Hopkins University Press
[2019]
|
In: |
Christianity & literature
Anno: 2019, Volume: 68, Fascicolo: 2, Pagine: 252-271 |
Notazioni IxTheo: | CD Cristianesimo; cultura NBE Antropologia |
Altre parole chiave: | B
Richard Wilbur
B Nietzsche B Wallace Stevens B Freud B Desiderio <motivo> |
Accesso online: |
Volltext (Resolving-System) |
Riepilogo: | Richard Wilbur's "A Baroque Wall-Fountain in the Villa Sciarra" describes fountains which embody different conceptions of human virtue expressed in contrasting religious systems. Wallace Stevens's "A High-Toned Old Christian Woman" similarly contrasts conceptions of virtue with reference to worship-spaces taken as embodying the assumptions of competing religious systems. Stevens's speaker reaches the somewhat Nietzschean, somewhat Freudian conclusion that religious practice merely projects human desires; differences are relatively meaningless. Wilbur's speaker, developing Christian theological openness to the other, concludes that the differences between religions make possible a productive complementarity. |
---|---|
ISSN: | 2056-5666 |
Comprende: | Enthalten in: Christianity & literature
|
Persistent identifiers: | DOI: 10.1177/0148333118772172 |