Shades of Bliss: Imagining Heaven in Wallace Stevens and Richard Wilbur
Richard Wilbur's "A Baroque Wall-Fountain in the Villa Sciarra" describes fountains which embody different conceptions of human virtue expressed in contrasting religious systems. Wallace Stevens's "A High-Toned Old Christian Woman" similarly contrasts conceptions of vir...
| Publicado en: | Christianity & literature |
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| Autor principal: | |
| Tipo de documento: | Electrónico Artículo |
| Lenguaje: | Inglés |
| Verificar disponibilidad: | HBZ Gateway |
| Journals Online & Print: | Gargar...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado: |
Johns Hopkins University Press
[2019]
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| En: |
Christianity & literature
Año: 2019, Volumen: 68, Número: 2, Páginas: 252-271 |
| Clasificaciones IxTheo: | CD Cristianismo ; Cultura NBE Antropología |
| Otras palabras clave: | B
Richard Wilbur
B Nietzsche B Anhelo B Wallace Stevens B Freud |
| Acceso en línea: |
Volltext (Resolving-System) |
| Sumario: | Richard Wilbur's "A Baroque Wall-Fountain in the Villa Sciarra" describes fountains which embody different conceptions of human virtue expressed in contrasting religious systems. Wallace Stevens's "A High-Toned Old Christian Woman" similarly contrasts conceptions of virtue with reference to worship-spaces taken as embodying the assumptions of competing religious systems. Stevens's speaker reaches the somewhat Nietzschean, somewhat Freudian conclusion that religious practice merely projects human desires; differences are relatively meaningless. Wilbur's speaker, developing Christian theological openness to the other, concludes that the differences between religions make possible a productive complementarity. |
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| ISSN: | 2056-5666 |
| Obras secundarias: | Enthalten in: Christianity & literature
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| Persistent identifiers: | DOI: 10.1177/0148333118772172 |