Shades of Bliss: Imagining Heaven in Wallace Stevens and Richard Wilbur
Richard Wilbur's "A Baroque Wall-Fountain in the Villa Sciarra" describes fountains which embody different conceptions of human virtue expressed in contrasting religious systems. Wallace Stevens's "A High-Toned Old Christian Woman" similarly contrasts conceptions of vir...
Τόπος έκδοσης: | Christianity & literature |
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Κύριος συγγραφέας: | |
Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
Γλώσσα: | Αγγλικά |
Έλεγχος διαθεσιμότητας: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Έκδοση: |
Johns Hopkins University Press
[2019]
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Στο/Στη: |
Christianity & literature
Έτος: 2019, Τόμος: 68, Τεύχος: 2, Σελίδες: 252-271 |
Σημειογραφίες IxTheo: | CD Χριστιανισμός και Πολιτισμός NBE Ανθρωπολογία |
Άλλες λέξεις-κλειδιά: | B
Λαχτάρα <μοτίβο>
B Richard Wilbur B Nietzsche B Wallace Stevens B Freud |
Διαθέσιμο Online: |
Volltext (Resolving-System) |
Σύνοψη: | Richard Wilbur's "A Baroque Wall-Fountain in the Villa Sciarra" describes fountains which embody different conceptions of human virtue expressed in contrasting religious systems. Wallace Stevens's "A High-Toned Old Christian Woman" similarly contrasts conceptions of virtue with reference to worship-spaces taken as embodying the assumptions of competing religious systems. Stevens's speaker reaches the somewhat Nietzschean, somewhat Freudian conclusion that religious practice merely projects human desires; differences are relatively meaningless. Wilbur's speaker, developing Christian theological openness to the other, concludes that the differences between religions make possible a productive complementarity. |
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ISSN: | 2056-5666 |
Περιλαμβάνει: | Enthalten in: Christianity & literature
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Persistent identifiers: | DOI: 10.1177/0148333118772172 |