Stanzaic syntax in the Madrashe of Ephrem the Syrian
Front Matter -- Introduction -- Madrāšâ V -- Madrāšâ VI -- Summary and Conclusion -- Catalog of Syntactic Devices -- Concordance of Madrāšâ V on Paradise -- Concordance of Madrāšâ VI on Paradise -- Bibliography -- Index.
| Resumo: | Front Matter -- Introduction -- Madrāšâ V -- Madrāšâ VI -- Summary and Conclusion -- Catalog of Syntactic Devices -- Concordance of Madrāšâ V on Paradise -- Concordance of Madrāšâ VI on Paradise -- Bibliography -- Index. In Stanzaic Syntax in the Madrashe of Ephrem the Syrian , which focuses on madrāšê V and VI in the Paradise cycle, Paul S. Stevenson looks at Ephrem’s poetic art from the point of view of a linguist. This study goes beyond the traditional levels of analysis, the clause and the sentence, and examines the structure of whole stanzas as units. The result is a surprisingly rich tapestry of syntactic patterning, which can justly be considered the key to Ephrem’s prosody. The driving force behind Ephrem’s poetry turns out not to be meter or sound play, but a variety of syntactic templates, which include even vertical patterning of constituents |
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| ISBN: | 9004306307 |
| Acesso: | Available to subscribing member institutions only |
| Persistent identifiers: | DOI: 10.1163/9789004306301 |