Shakespeare and Consciousness
This book examines how early modern and recently emerging theories of consciousness and cognitive science help us to re-imagine our engagements with Shakespeare in text and performance. Papers investigate the connections between states of mind, emotion, and sensation that constitute consciousness an...
| Другие авторы: | ; |
|---|---|
| Формат: | Электронный ресурс |
| Язык: | Английский |
| Слжба доставки Subito: | Заказать сейчас. |
| Проверить наличие: | HBZ Gateway |
| WorldCat: | WorldCat |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Опубликовано: |
New York s.l
Palgrave Macmillan US
2016
|
| В: | Год: 2016 |
| Тома / Статьи: | Показать тома/статьи. |
| Серии журналов/журналы: | Cognitive Studies in Literature and Performance
Springer eBook Collection Literature, Cultural and Media Studies |
| Нормированные ключевые слова (последовательности): | B
Shakespeare, William 1564-1616
/ Драма
/ Сознание
|
| Другие ключевые слова: | B
Literature
B Literature, Modern B Literature Philosophy B Cognitive Psychology B European literature |
| Online-ссылка: |
Volltext (lizenzpflichtig) |
| Parallel Edition: | Erscheint auch als: 9781137596710 Erscheint auch als: 9781349999361 Erscheint auch als: 9781349955565 |
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| 520 | |a This book examines how early modern and recently emerging theories of consciousness and cognitive science help us to re-imagine our engagements with Shakespeare in text and performance. Papers investigate the connections between states of mind, emotion, and sensation that constitute consciousness and the conditions of reception in our past and present encounters with Shakespeare’s works. Acknowledging previous work on inwardness, self, self-consciousness, embodied self, emotions, character, and the mind-body problem, contributors consider consciousness from multiple new perspectives-as a phenomenological process, a materially determined product, a neurologically mediated reaction, or an internally synthesized identity-approaching Shakespeare’s plays and associated cultural practices in surprising and innovative ways | ||
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