Ovid's Art and the Wife of Bath: The Ethics of Erotic Violence
Ovid's Art and the Wife of Bath examines how Ovid's Ars amatoria shaped the erotic discourses of the medieval West. The Ars amatoria circulated in medieval France and England as an authoritative treatise on desire; consequently, the sexualities of the medieval West are haunted by the imper...
MARC
| LEADER | 00000cam a22000002c 4500 | ||
|---|---|---|---|
| 001 | 165473974X | ||
| 003 | DE-627 | ||
| 005 | 20260210002319.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 190204r20182006xx |||||o 00| ||eng c | ||
| 020 | |a 9781501727061 | ||
| 024 | 7 | |a 10.7591/9781501727061 |2 doi | |
| 035 | |a (DE-627)165473974X | ||
| 035 | |a (DE-576)517239868 | ||
| 035 | |a (DE-599)BSZ517239868 | ||
| 035 | |a (DE-627-1)041908627 | ||
| 035 | |a (DE-B1597)515202 | ||
| 035 | |a (DE-B1597)BR1225420 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 072 | 7 | |a LIT011000 |2 bisacsh | |
| 072 | 7 | |a LIT 011000 |2 bisacsh | |
| 072 | 7 | |a LIT 025050 |2 bisacsh | |
| 072 | 7 | |a PSY 016000 |2 bisacsh | |
| 072 | 7 | |a LIT 000000 |2 bisacsh | |
| 072 | 7 | |a MED 105000 |2 bisacsh | |
| 082 | 0 | |a 809.933538 | |
| 084 | |a 1 |2 ssgn | ||
| 084 | |a FX 191105 |q SEPA |2 rvk |0 (DE-625)rvk/35166:11784 | ||
| 084 | |a HH 5085 |q SEPA |2 rvk |0 (DE-625)rvk/49596: | ||
| 084 | |a HH 5083 |q SEPA |2 rvk |0 (DE-625)rvk/49594: | ||
| 084 | |a FB 5701 |q SEPA |2 rvk |0 (DE-625)rvk/30040: | ||
| 084 | |a 18.45 |2 bkl | ||
| 084 | |a 18.05 |2 bkl | ||
| 084 | |a 18.23 |2 bkl | ||
| 084 | |a 17.94 |2 bkl | ||
| 100 | 1 | |0 (DE-588)132675382 |0 (DE-627)52517639X |0 (DE-576)166517232 |4 aut |a Desmond, Marilynn |d 1952- | |
| 109 | |a Desmond, Marilynn 1952- |a Desmond, Marilynn Robin 1952- |a Desmond, Marilynn R. 1952- |a Hamilton, Daniel 1952- |a Robin Desmond, Marilynn 1952- |a Robin-Desmond, Marilynn 1952- | ||
| 245 | 1 | 0 | |a Ovid's Art and the Wife of Bath |b The Ethics of Erotic Violence |c Marilynn Desmond |
| 264 | 1 | |a Ithaca, NY |b Cornell University Press |c 2018 | |
| 264 | 4 | |c ©2006 | |
| 300 | |a 1 Online-Ressource |b 38 halftones | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 506 | 1 | |a Restricted Access |e Controlled Vocabulary for Access Rights |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Ovid's Art and the Wife of Bath examines how Ovid's Ars amatoria shaped the erotic discourses of the medieval West. The Ars amatoria circulated in medieval France and England as an authoritative treatise on desire; consequently, the sexualities of the medieval West are haunted by the imperial Roman constructions of desire that emerge from Ovid's text. The Ars amatoria ironically proposes the erotic potential of violence, and this aspect of the Ars proved to be enormously influential. Ovid's discourse on erotic violence provides a script for Heloise's epistolary expression of desire for Abelard. The Roman de la Rose extends the directives of the Ars with a rhetorical flourish and poetic excess that tests the limits of Ovidian irony. While Christine de Pizan critiqued the representations of erotic violence in the Rose, Chaucer appropriates the Ovidian discourse from the Roman de la Rose to construct the Wife of Bath-a female figure that today's readers find uncannily familiar. Well written and provocative, this book will interest scholars of premodern literature, especially those who work on Medieval English and French, as well as classical, texts. Marilynn Desmond draws on feminist and queer theory, which places Ovid's Art and the Wife of Bath at the cutting edge of debates in gender and sexuality. | ||
| 534 | |c 2006 | ||
| 546 | |a In English | ||
| 650 | 4 | |a Literature, Medieval | |
| 650 | 4 | |a Sadomasochism in literature | |
| 650 | 4 | |a LITERARY CRITICISM / Medieval | |
| 650 | 4 | |a LITERARY CRITICISM / Subjects & Themes / Women | |
| 650 | 4 | |a PSYCHOLOGY / Human Sexuality (see also SOCIAL SCIENCE / Human Sexuality) | |
| 650 | 4 | |a MEDIEVAL & RENAISSANCE STUDIES | |
| 650 | 4 | |a LITERARY STUDIES | |
| 650 | 4 | |a MEDICAL / Psychiatry / General | |
| 650 | 4 | |a LITERARY CRITICISM / General | |
| 689 | 0 | 0 | |d u |0 (DE-588)4139610-8 |0 (DE-627)105634158 |0 (DE-576)20969579X |a Ovidius Naso, Publius |2 gnd |d v43-17 |t Ars amatoria |
| 689 | 0 | 1 | |d s |0 (DE-588)4272320-6 |0 (DE-627)104494913 |0 (DE-576)21068898X |2 gnd |a Sadomasochismus |g Motiv |
| 689 | 0 | |5 DE-101 | |
| 689 | 1 | 0 | |d u |0 (DE-588)4128615-7 |0 (DE-627)104704241 |0 (DE-576)209603585 |a Jean |2 gnd |c de Meung |d -1305 |t Roman de la rose |
| 689 | 1 | 1 | |d u |0 (DE-588)4139610-8 |0 (DE-627)105634158 |0 (DE-576)20969579X |a Ovidius Naso, Publius |2 gnd |d v43-17 |t Ars amatoria |
| 689 | 1 | 2 | |d s |0 (DE-588)4049716-1 |0 (DE-627)104675152 |0 (DE-576)209083182 |2 gnd |a Rezeption |
| 689 | 1 | |5 DE-101 | |
| 689 | 3 | 0 | |d u |0 (DE-588)4128615-7 |0 (DE-627)104704241 |0 (DE-576)209603585 |a Jean |2 gnd |c de Meung |d -1305 |t Roman de la rose |
| 689 | 3 | 1 | |d u |0 (DE-588)4419098-0 |0 (DE-627)213743094 |0 (DE-576)212178318 |a Chaucer, Geoffrey |2 gnd |d 1343-1400 |t The wife of Bath's tale |
| 689 | 3 | 2 | |d s |0 (DE-588)4049716-1 |0 (DE-627)104675152 |0 (DE-576)209083182 |2 gnd |a Rezeption |
| 689 | 3 | |5 DE-101 | |
| 689 | 5 | 0 | |d u |0 (DE-588)4419098-0 |0 (DE-627)213743094 |0 (DE-576)212178318 |a Chaucer, Geoffrey |2 gnd |d 1343-1400 |t The wife of Bath's tale |
| 689 | 5 | 1 | |d s |0 (DE-588)4272320-6 |0 (DE-627)104494913 |0 (DE-576)21068898X |2 gnd |a Sadomasochismus |g Motiv |
| 689 | 5 | |5 DE-101 | |
| 689 | 2 | 0 | |d u |0 (DE-588)4139610-8 |0 (DE-627)105634158 |0 (DE-576)20969579X |a Ovidius Naso, Publius |2 gnd |d v43-17 |t Ars amatoria |
| 689 | 2 | 1 | |d s |0 (DE-588)4049716-1 |0 (DE-627)104675152 |0 (DE-576)209083182 |2 gnd |a Rezeption |
| 689 | 2 | 2 | |q z |2 gnd |a Geschichte 500-1500 |
| 689 | 2 | |5 (DE-627) | |
| 689 | 4 | 0 | |d s |0 (DE-588)4035964-5 |0 (DE-627)106245015 |0 (DE-576)209015608 |2 gnd |a Literatur |
| 689 | 4 | 1 | |d s |0 (DE-588)4272320-6 |0 (DE-627)104494913 |0 (DE-576)21068898X |2 gnd |a Sadomasochismus |g Motiv |
| 689 | 4 | 2 | |q z |2 gnd |a Geschichte 1-1430 |
| 689 | 4 | |5 (DE-627) | |
| 689 | 6 | 0 | |d s |0 (DE-588)4020832-1 |0 (DE-627)10631663X |0 (DE-576)208934979 |2 gnd |a Gewalt |
| 689 | 6 | |5 (DE-627) | |
| 689 | 7 | 0 | |d p |0 (DE-588)118539507 |0 (DE-627)079338933 |0 (DE-576)161119867 |2 gnd |a Girard, René |d 1923-2015 |
| 689 | 7 | |5 (DE-627) | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Desmond, Marilynn, 1952 - |t Ovid's art and the wife of bath |b 1. print. |d Ithaca, NY [u. a.] : Cornell Univ. Press, 2006 |h XIII, 206 S. |w (DE-627)506201996 |w (DE-576)254824935 |z 0801473179 |z 0801443792 |z 9780801443794 |z 9780801473173 |k Non-Electronic |
| 856 | 4 | 0 | |u https://doi.org/10.7591/9781501727061 |m X:GRUY |x Resolving-System |z lizenzpflichtig |7 1 |
| 856 | 4 | 0 | |u https://www.degruyterbrill.com/isbn/9781501727061 |m X:GRUY |x Verlag |z lizenzpflichtig |7 1 |
| 856 | 4 | 2 | |u https://www.degruyterbrill.com/cover/covers/9781501727061.jpg |m X:GRUY |x Verlag |3 Cover |7 1 |
| 856 | 4 | 2 | |u https://www.degruyterbrill.com/document/cover/isbn/9781501727061/original |m X:GRUY |x Verlag |3 Cover |7 1 |
| 912 | |a EBA-BACKALL | ||
| 912 | |a EBA-CL-LT | ||
| 912 | |a EBA-EBACKALL | ||
| 912 | |a EBA-EBKALL | ||
| 912 | |a EBA-ECL-LT | ||
| 912 | |a EBA-EEBKALL | ||
| 912 | |a EBA-ESSHALL | ||
| 912 | |a EBA-PPALL | ||
| 912 | |a EBA-SSHALL | ||
| 912 | |a GBV-deGruyter-alles | ||
| 912 | |a ZDB-23-DGG | ||
| 912 | |a ZDB-23-25 |b 2000-2013 | ||
| 935 | |a GIRA | ||
| 936 | r | v | |a FX 191105 |b Sekundärliteratur |k Klassische Philologie. Byzantinistik. Mittellateinische und Neugriechische Philologie. Neulatein |k Lateinische Autoren und Inschriften der Antike |k Lateinische Autoren und Anonyma |k Klassik, Zeit Ciceros |k Ovidius Naso, Publius (43 v.Chr. - 17 n.Chr.) |k Ars amatoria |k Sekundärliteratur |0 (DE-627)1271477513 |0 (DE-625)rvk/35166:11784 |0 (DE-576)201477513 |
| 936 | r | v | |a HH 5085 |b Literarische Einflüsse |k Anglistik. Amerikanistik |k Englische Literatur |k Englische Literatur des Mittelalters |k Mittelenglische Literatur (11.-15. Jahrhundert) |k Literaturgeschichte |k Einzelne Autoren und Denkmäler |k Autoren und Denkmäler C |k Chaucer, Geoffrey |k Sekundärliteratur |k Literarische Einflüsse |0 (DE-627)1271617315 |0 (DE-625)rvk/49596: |0 (DE-576)201617315 |
| 936 | r | v | |a HH 5083 |b Canterbury Tales |k Anglistik. Amerikanistik |k Englische Literatur |k Englische Literatur des Mittelalters |k Mittelenglische Literatur (11.-15. Jahrhundert) |k Literaturgeschichte |k Einzelne Autoren und Denkmäler |k Autoren und Denkmäler C |k Chaucer, Geoffrey |k Sekundärliteratur |k Werke allgemein |k Canterbury Tales |0 (DE-627)127150815X |0 (DE-625)rvk/49594: |0 (DE-576)20150815X |
| 936 | r | v | |a FB 5701 |b Beziehungen zu anderen Literaturen, Nachwirken |k Klassische Philologie. Byzantinistik. Mittellateinische und Neugriechische Philologie. Neulatein |k Klassische Literaturen i.a. (Griechisch und Latein umfassende Arbeiten) |k Literaturgeschichte |k Beziehungen zu anderen Literaturen, Nachwirken |0 (DE-627)1270771094 |0 (DE-625)rvk/30040: |0 (DE-576)200771094 |
| 936 | b | k | |a 18.45 |j Klassische lateinische Literatur |q SEPA |0 (DE-627)106415573 |
| 936 | b | k | |a 18.05 |j Englische Literatur |q SEPA |0 (DE-627)10640539X |
| 936 | b | k | |a 18.23 |j Französische Literatur |q SEPA |0 (DE-627)106405411 |
| 936 | b | k | |a 17.94 |j Literarische Einflüsse und Beziehungen |j Rezeption |q SEPA |0 (DE-627)106404563 |
| 950 | |a de Gruyter E-Books | ||
| 951 | |a BO | ||
| ELC | |a 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 4695447754 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 165473974X | ||
| LOK | |0 005 20250330184406 | ||
| LOK | |0 008 250330||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-Tue135-1 |c DE-627 |d DE-Tue135-1 | ||
| LOK | |0 852 |a DE-Tue135-1 | ||
| LOK | |0 852 1 |m p |9 00 | ||
| LOK | |0 866 |x Bibliography 46 | ||
| LOK | |0 935 |a inmo | ||
| LOK | |0 938 |k p | ||
| LOK | |0 939 |a 30-03-25 |b l01 | ||
| ORI | |a TA-MARC-ixtheo_oa001.raw | ||
| REF | |a Literaturgeschichte,Literaturmotiv,Literaturrezeption,Renaissanceliteratur | ||
| REL | |a 1 | ||
| STA | 0 | 0 | |a Literature,Literature,Belles-lettres,Reception,Reception,Impact,Afterlife,Violence,Violence,Violence in literature |
| STB | 0 | 0 | |a Littérature,Littérature,Réception <scientifique>,Réception <scientifique>,Influence intellectuelle,Influence intellectuelle,Influence intellectuelle (motif),Influence intellectuelle,Violence,Violence |
| STC | 0 | 0 | |a Literatura,Literatura,Recepción,Recepción,Violencia,Violencia |
| STD | 0 | 0 | |a Letteratura,Letteratura,Ricezione,Ricezione,Violenza,Violenza |
| STE | 0 | 0 | |a 接受,接收,文学,暴力,暴力,武力,武力 |
| STF | 0 | 0 | |a 接受,接收,文學,暴力,暴力,武力,武力 |
| STG | 0 | 0 | |a Literatura,Literatura,Recepção,Recepção,Violência,Violência |
| STH | 0 | 0 | |a Власть,Власть,Сила,Сила (мотив),Восприятие (мотив),Восприятие,Литература (мотив),Литература |
| STI | 0 | 0 | |a Αποδοχή (μοτίβο),Αποδοχή,Βία (μοτίβο),Βία,Λογοτεχνία (μοτιβο),Λογοτεχνία |
| SUB | |a REL | ||
| SYG | 0 | 0 | |a Ovidius Naso, Publius,Ovidius Naso, Publius,v43-17,Liebeskunst,Ovidius Naso, Publius,v43-17,De arte amatoria,Ovidius Naso, Publius,v43-17,Ars amandi,Ovidius Naso, Publius,v43-17,De arte amandi,Ovidius Naso, Publius,v43-17,Liebeslehre,Ovidius Naso, Publius,v43-17,L'art d'aimer,Ovidius Naso, Publius,v43-17,L'art d'amours,Ovidius Naso, Publius,v43-17,The art of love,Ovidius Naso, Publius,v43-17,Liebe als Kunst,Ovidius Naso, Publius,v43-17,Die Liebeskunst , SM,BDSM , Jean,de Meung,-1305,Roman de la Rose,Jean,de Meung,-1305,Le Rommant de la Rose,Jean,de Meung,-1305,Cy est le Rommant de la roze,Jean,de Meung,-1305,Romance of the Rose,Jean,de Meung,-1305,Rosenroman , Ovidius Naso, Publius,Ovidius Naso, Publius,v43-17,Liebeskunst,Ovidius Naso, Publius,v43-17,De arte amatoria,Ovidius Naso, Publius,v43-17,Ars amandi,Ovidius Naso, Publius,v43-17,De arte amandi,Ovidius Naso, Publius,v43-17,Liebeslehre,Ovidius Naso, Publius,v43-17,L'art d'aimer,Ovidius Naso, Publius,v43-17,L'art d'amours,Ovidius Naso, Publius,v43-17,The art of love,Ovidius Naso, Publius,v43-17,Liebe als Kunst,Ovidius Naso, Publius,v43-17,Die Liebeskunst , Fortwirken,Nachwirkung,Nachleben,Wirkungsgeschichte,Aneignung , Jean,de Meung,-1305,Roman de la Rose,Jean,de Meung,-1305,Le Rommant de la Rose,Jean,de Meung,-1305,Cy est le Rommant de la roze,Jean,de Meung,-1305,Romance of the Rose,Jean,de Meung,-1305,Rosenroman , Chaucer, Geoffrey,Chaucer, Geoffrey,1343-1400,The wife of Bath's prologue and tale , Fortwirken,Nachwirkung,Nachleben,Wirkungsgeschichte,Aneignung , Chaucer, Geoffrey,Chaucer, Geoffrey,1343-1400,The wife of Bath's prologue and tale , SM,BDSM , Ovidius Naso, Publius,Ovidius Naso, Publius,v43-17,Liebeskunst,Ovidius Naso, Publius,v43-17,De arte amatoria,Ovidius Naso, Publius,v43-17,Ars amandi,Ovidius Naso, Publius,v43-17,De arte amandi,Ovidius Naso, Publius,v43-17,Liebeslehre,Ovidius Naso, Publius,v43-17,L'art d'aimer,Ovidius Naso, Publius,v43-17,L'art d'amours,Ovidius Naso, Publius,v43-17,The art of love,Ovidius Naso, Publius,v43-17,Liebe als Kunst,Ovidius Naso, Publius,v43-17,Die Liebeskunst , Fortwirken,Nachwirkung,Nachleben,Wirkungsgeschichte,Aneignung , Belletristik,Dichtung,Literarisches Kunstwerk,Schöne Literatur,Sprachkunst,Sprachliches Kunstwerk,Wortkunst,Belletristik,Dichtung,Schöne Literatur,Sprachkunst,Wortkunst , SM,BDSM , Girard, René Noël Théophile,1923-2015,Žurar, Rene,1923-2015 |
| TIM | |a 100005000101_100015001231 |b Geschichte 500-1500 | ||
