Intertextuality and its meaning in Natan Zach's "Enosh keair yamav" (As for man, his days are as grass)

Natan Zach, a prominent subversive Israeli poet, began publishing his poetry in the mid-1950s, together with a group of young poets who felt obliged to transform Hebrew poetry. This group included poets and critics such as Moshe Dor, Arye Sivan, Yehuda Amichai, David Avidan, Gershon Shaked, and Benj...

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Autres titres:Main Articles
Auteur principal: Shoham, Reʾuven 1938- (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: University of Pennsylvania Press [2006]
Dans: AJS review
Année: 2006, Volume: 30, Numéro: 1, Pages: 147-166
Sujets non-standardisés:B Psalms
B Oral poetry
B Modernist poetry
B Literary Criticism
B Humanity
B Irony
B Romantic poetry
B Stanzas
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Résumé:Natan Zach, a prominent subversive Israeli poet, began publishing his poetry in the mid-1950s, together with a group of young poets who felt obliged to transform Hebrew poetry. This group included poets and critics such as Moshe Dor, Arye Sivan, Yehuda Amichai, David Avidan, Gershon Shaked, and Benjamin Harshav (Hrushovski). They published their first poems and essays in Likra't (Toward), a journal that they founded, and their group took on the same name. Only four issues of the journal appeared between 1952 and 1954. Zach was one of the outstanding poets in this group. His first book of poetry, Shirim ri'shonim (Early Poems), was published in 1955. His second book, Shirim shonim (Diverse Poems, 1960), totally changed the Israeli canon in terms of its themes and its poetic texture.
ISSN:1475-4541
Contient:Enthalten in: Association for Jewish Studies, AJS review
Persistent identifiers:DOI: 10.1017/S0364009406000067