El espectáculo evangelizador: El desarrollo del teatro extremeño paralitúrgico
La liturgia católica ha ido desarrollando un lenguaje espectacular desde la Edad Media para facilitar la integración del fiel en el culto. El éxito de la fórmula va interfiriendo con la liturgia haciendo que las fórmulas parateatrales y teatrales vayan sustituyendo la evangelización inicial por la i...
| Main Author: | |
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| Format: | Electronic/Print Article |
| Language: | Spanish |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Institution
[2015]
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| In: |
Cauriensia
Year: 2015, Volume: 10, Pages: 163-196 |
| IxTheo Classification: | CD Christianity and Culture KAH Church history 1648-1913; modern history KBH Iberian Peninsula KDB Roman Catholic Church RC Liturgy RH Evangelization; Christian media |
| Online Access: |
Volltext (doi) |
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| 245 | 1 | 3 | |a El espectáculo evangelizador |b El desarrollo del teatro extremeño paralitúrgico |c Francisco Javier Grande Quejigo |
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| 520 | |a La liturgia católica ha ido desarrollando un lenguaje espectacular desde la Edad Media para facilitar la integración del fiel en el culto. El éxito de la fórmula va interfiriendo con la liturgia haciendo que las fórmulas parateatrales y teatrales vayan sustituyendo la evangelización inicial por la identificación social y la participación cultual por la alteración de la liturgia. Ello hace que pueda advertirse, con ejemplos de la cultura extremeña, cómo las fórmulas paralitúrgicas medievales desarrollan formas teatrales que intentará depurar la jerarquía y que culminarán en la gran fiesta social del Corpus barroco como signo de identificación comunitaria. El excesivo alejamiento de la intención pastoral inicial lleva a la desaparición de esta teatralidad religiosa, quedando reducida a escasos testimonios folclóricos contemporáneos. | ||
| 520 | |a Catholic liturgy has developed a spectacular language from Middle Age to facilitate the integration of devote in worship. The success of this formula was interfering with the liturgy. Para-theatrical and theatrical formulas cause the initial evangelisation was replaced by the social identification and also the worship participation was replaced by the liturgy modification. We are going to use Extremadura’s culture exempla to seeing how medieval para-liturgical formulas developed theatrical forms with social significance. Corpus Christi, the great religious and social festivity, was a communita rian identification sign. This religious theatricality was disappearing due to the excessiv distance with the original pastoral intention, and just we can appreciate today a few folkloric testimonies of that. | ||
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