Oración de los salmos y afectividad
The article deals with Augustine's thought about Music and the Psalms. The topic of the musical language and the affective theology is addressed, as well as the song as a perception of attractive love, according to Augustine. Later, taking as point of departure Augustine's Gnoseology, the...
| Subtitles: | La Providencia de Dios en las calamidades humanas |
|---|---|
| Main Author: | |
| Format: | Print Article |
| Language: | Spanish |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
[publisher not identified]
[2017]
|
| In: |
Augustinus
Year: 2017, Volume: 62, Issue: 246/247, Pages: 487-509 |
| IxTheo Classification: | HB Old Testament KAB Church history 30-500; early Christianity RD Hymnology |
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| 520 | |a The article deals with Augustine's thought about Music and the Psalms. The topic of the musical language and the affective theology is addressed, as well as the song as a perception of attractive love, according to Augustine. Later, taking as point of departure Augustine's Gnoseology, the interior images and the metaphors of the musical instruments used by St. Augustine are identified, particularly within the en. Ps. Finally, a brief reflection on the relationship between music and the words of the songs is offered, as well as sorne Augustinian Guide lines on the «musica sacra» for the Contemporary Pastoral Work. | ||
| 520 | |a El artículo trata del pensamiento agustiniano sobre el canto de los salmos. Se aborda la cuestión del lenguaje musical y la teología afectiva, así como el canto como percepción del amor atractivo, según el pensamiento agustiniano. Posteriormente, a partir de la gnoseología agustiniana, se identifican las imágenes interiores y la metáfora de los instrumentos musicales usadas por san Agustin, particularmente dentro de las en. Ps . Finalmente se ofrece una breve reflexión sobre la relación que existe entre la música y la palabra cantada, así como algunas orientaciones agustinianas sobre la «música sacra» usada en el trabajo pastoral contemporáneo. | ||
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