En torno al retablo mayor del monasterio de San Jerónimo de Granada: sus artífices, proceso constructivo, iconografía y modelos visuales
The main altarpiece of Saint Jerome in Granada undoubtedly ranks among the most outstanding examples of altarpiece artistry in modern age Spain and Andalusia. This is due to the classicistic mark of its architecture as well as to the cooperation of different maestros over the transition period from...
Main Author: | |
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Format: | Electronic/Print Article |
Language: | Spanish |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
CSIC
[2017]
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In: |
Hispania sacra
Year: 2017, Volume: 69, Issue: 139, Pages: 163-176 |
IxTheo Classification: | CE Christian art KAH Church history 1648-1913; modern history KBH Iberian Peninsula KDB Roman Catholic Church |
Online Access: |
Presumably Free Access Volltext (doi) |
Summary: | The main altarpiece of Saint Jerome in Granada undoubtedly ranks among the most outstanding examples of altarpiece artistry in modern age Spain and Andalusia. This is due to the classicistic mark of its architecture as well as to the cooperation of different maestros over the transition period from the Renaissance to the early naturalism of the17th century. This paper offers a state-of-the-art debate over the issue of the altarpiece authors, an insight on its iconography and construction process as well as an original interpretation of the visual elements that inspired this masterpiece. |
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ISSN: | 0018-215X |
Contains: | Enthalten in: Hispania sacra
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Persistent identifiers: | DOI: 10.3989/hs.2017.011 |