Queer(ing) notions of Islamic authority: a methodological disposition in the work of Khaled Abou El Fadl
Queer approaches to Islam take a multitude of forms, and reflect queer lived experiences in a variety of ways. This article focuses on one particular form of queer approach to an aspect of the Islamic tradition, examining Khaled Abou El Fadl’s approach to the Shari’ah, focusing on his particular met...
Main Author: | |
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Format: | Electronic/Print Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Taylor & Francis
[2016]
|
In: |
Theology & sexuality
Year: 2016, Volume: 22, Issue: 1/2, Pages: 25-41 |
Standardized Subjects / Keyword chains: | B
Abou El Fadl, Khaled 1963-
/ Islamic law
/ Authority
/ Methodology
/ Queer theory
|
IxTheo Classification: | BJ Islam FD Contextual theology NCF Sexual ethics XA Law |
Further subjects: | B
Beauty
B Queer B Shari’ah B Methodology B Authority B Khaled Abou El Fadl |
Online Access: |
Volltext (doi) |
Parallel Edition: | Electronic
|
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520 | |a Queer approaches to Islam take a multitude of forms, and reflect queer lived experiences in a variety of ways. This article focuses on one particular form of queer approach to an aspect of the Islamic tradition, examining Khaled Abou El Fadl’s approach to the Shari’ah, focusing on his particular methodology of de-legitimization, re-presentation, and judgment according to the ethical standard of beauty. In doing so, its retrieval of internally queer aspects of the tradition come to light, including the focus on the nature of certainty within the Shari’ah as problematic, a strong emphasis on procedural non-finality, and the importance of the contextual nature of legal outcomes. Each of these aspects of the methodology have an impact on the lived experiences of Muslims within a community in which the law holds significant legal and social authority. In queering approaches to the Shari’ah, Abou El Fadl’s methodology simultaneously opens up space for a queering of contemporary norms of Muslim identity, society, and performance. | ||
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