Speaking of grief and the grief of speaking: martyrs’ speech and the perils of translation
In Derrida’s Monolinguism of the Other, a theory about the universal and constitutive alienation of the speaking subject from language finds its exemplary grounding in Derrida’s own experience as an Algerian Jew, one whose relationship to the French language is both totalizing and exiled (‘I have on...
| Autore principale: | |
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| Tipo di documento: | Digitale/Stampa Articolo |
| Lingua: | Inglese |
| Verificare la disponibilità: | HBZ Gateway |
| Journals Online & Print: | Caricamento...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Pubblicazione: |
Taylor & Francis
[2016]
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| In: |
Culture and religion
Anno: 2016, Volume: 17, Fascicolo: 4, Pagine: 431-449 |
| (sequenze di) soggetti normati: | B
Derrida, Jacques 1930-2004
/ Martire
/ Lutto
/ Lingua <motivo>
/ Traduzione
|
| Notazioni IxTheo: | AA Scienze religiose CB Esistenza cristiana HC Nuovo Testamento |
| Altre parole chiave: | B
Traslazione
B Language B Colonisation B Early Christianity B Violence B Martyrdom |
| Accesso online: |
Volltext (doi) |
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| 520 | |a In Derrida’s Monolinguism of the Other, a theory about the universal and constitutive alienation of the speaking subject from language finds its exemplary grounding in Derrida’s own experience as an Algerian Jew, one whose relationship to the French language is both totalizing and exiled (‘I have only one language, it is not mine.’). He equates speaking not only with contingent citizenship and a divestment of what one never really had in the first place, but also with the extreme experiences of torture, threat and physical violence. He indeed uses the words ‘passion’ and ‘martyr’ to describe his experience. In this paper, I will read Derrida ‘backwards,’ and against the universalizing move Derrida and those following him make in order to suggest a way of reading some scenes of violent death as scenes about diasporic cultural divestment. I’ll specifically attend to martyrs’ speech, and do so reading them as archives of the perils and inescapable expenses of entering dominant cultural ‘languages.’ | ||
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