Confessional cinema: religion, film, and modernity in Spain's development years, 1960-1975

"In Confessional Cinema, Jorge Perez analyzes how cinema engaged the shifting role of religion during the last fifteen years of Francisco Franco's dictatorship. Perez interrogates the assumption that after 1957, when the Franco regime recast itself in a secular and modernizing fashion, rel...

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Dettagli Bibliografici
Autore principale: Pérez, Jorge 1976- (Autore)
Tipo di documento: Stampa Libro
Lingua:Inglese
Servizio "Subito": Ordinare ora.
Verificare la disponibilità: HBZ Gateway
WorldCat: WorldCat
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Pubblicazione: Toronto Buffalo London University of Toronto Press [2017]
In: Toronto Iberic (24)
Anno: 2017
Periodico/Rivista:Toronto Iberic 24
(sequenze di) soggetti normati:B Spanien / Film <motivo> / Religione (Motivo) / Chiesa cattolica (Motivo) / Storia 1960-1975
B Spanien / Film <motivo> / Chiesa cattolica (Motivo) / Religione (Motivo) / Suora <motivo> (Motivo) / Storia 1960-1975
Notazioni IxTheo:CA Cristianesimo
FA Teologia
Altre parole chiave:B Religion in motion pictures
B Spain History 1939-1975
B Motion Pictures (Spain) History
B Catholic Church In motion pictures
B Motion Pictures Religious aspects Catholic Church
B Spain Intellectual life 20th century
B Spain Religione 20th century
Accesso online: Inhaltsbeschreibung
Indice
Table of Contents (Publisher)
Descrizione
Riepilogo:"In Confessional Cinema, Jorge Perez analyzes how cinema engaged the shifting role of religion during the last fifteen years of Francisco Franco's dictatorship. Perez interrogates the assumption that after 1957, when the Franco regime recast itself in a secular and modernizing fashion, religion vanished from the cultural field. Instead, Spanish cinema addressed the transformation within Spanish Catholicism following Vatican II and Spain's modernization processes. Confessional Cinema offers the first analysis of a neglected body of Spanish films, "nun films," which focus on the active role of religious women in the transformation of Spanish Catholicism. Perez argues that commercial films, despite being less aesthetically accomplished, delved more than oppositional, art-house films into the fluctuating zeitgeist of the development years regarding the transformations within Spanish Catholicism. This is a provocative and original analysis of the significance of religion not from a theological point of view, but rather as a socio-political force and cultural determinant in the Spanish public sphere of this period, known as desarrollismo (development years) from 1960-1975"--
Descrizione fisica:XI, 260 Seiten, Illustrationen
ISBN:978-1-4875-0108-2