Confessional cinema: religion, film, and modernity in Spain's development years, 1960-1975

"In Confessional Cinema, Jorge Perez analyzes how cinema engaged the shifting role of religion during the last fifteen years of Francisco Franco's dictatorship. Perez interrogates the assumption that after 1957, when the Franco regime recast itself in a secular and modernizing fashion, rel...

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Detalles Bibliográficos
Autor principal: Pérez, Jorge 1976- (Autor)
Tipo de documento: Print Libro
Lenguaje:Inglés
Servicio de pedido Subito: Pedir ahora.
Verificar disponibilidad: HBZ Gateway
WorldCat: WorldCat
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado: Toronto Buffalo London University of Toronto Press [2017]
En: Toronto Iberic (24)
Año: 2017
Colección / Revista:Toronto Iberic 24
(Cadenas de) Palabra clave estándar:B Spanien / Película / Religión (Motivo) / Movimiento juvenil católico (Motivo) / Historia 1960-1975
B Spanien / Película / Movimiento juvenil católico (Motivo) / Religión (Motivo) / Monja (Motivo) / Historia 1960-1975
Clasificaciones IxTheo:CA Cristianismo
FA Teología
Otras palabras clave:B Religion in motion pictures
B Spain History 1939-1975
B Spain Religión 20th century
B Motion Pictures (Spain) History
B Catholic Church In motion pictures
B Motion Pictures Religious aspects Catholic Church
B Spain Intellectual life 20th century
Acceso en línea: Inhaltsbeschreibung
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Table of Contents (Publisher)
Descripción
Sumario:"In Confessional Cinema, Jorge Perez analyzes how cinema engaged the shifting role of religion during the last fifteen years of Francisco Franco's dictatorship. Perez interrogates the assumption that after 1957, when the Franco regime recast itself in a secular and modernizing fashion, religion vanished from the cultural field. Instead, Spanish cinema addressed the transformation within Spanish Catholicism following Vatican II and Spain's modernization processes. Confessional Cinema offers the first analysis of a neglected body of Spanish films, "nun films," which focus on the active role of religious women in the transformation of Spanish Catholicism. Perez argues that commercial films, despite being less aesthetically accomplished, delved more than oppositional, art-house films into the fluctuating zeitgeist of the development years regarding the transformations within Spanish Catholicism. This is a provocative and original analysis of the significance of religion not from a theological point of view, but rather as a socio-political force and cultural determinant in the Spanish public sphere of this period, known as desarrollismo (development years) from 1960-1975"--
Descripción Física:XI, 260 Seiten, Illustrationen
ISBN:978-1-4875-0108-2