Reformation, gender, and sexuality in Switzerland: two case studies
Niklaus Manuel, active in Bern, painter, playwright, and politician, wrote a carnival play in 1525 entitled the Der Ablasskrämer [The Indulgence Seller], which stages seven women as rather aggressive propagators of the Reformation. The first case study examines this play and questions the predominan...
| Publicado en: | Reformation & Renaissance review |
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| Autor principal: | |
| Tipo de documento: | Electronic/Print Artículo |
| Lenguaje: | Inglés |
| Verificar disponibilidad: | HBZ Gateway |
| Journals Online & Print: | Gargar...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado: |
Taylor & Francis
[2015]
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| En: |
Reformation & Renaissance review
Año: 2015, Volumen: 17, Número: 2, Páginas: 167-180 |
| Clasificaciones IxTheo: | CD Cristianismo ; Cultura FD Teología contextual KAG Reforma KBC Suiza KDD Iglesia evangélica NCF Ética sexual |
| Acceso en línea: |
Volltext (doi) |
| Sumario: | Niklaus Manuel, active in Bern, painter, playwright, and politician, wrote a carnival play in 1525 entitled the Der Ablasskrämer [The Indulgence Seller], which stages seven women as rather aggressive propagators of the Reformation. The first case study examines this play and questions the predominant tendency among scholars to qualify Manuel's staging of women simply as a case of literary inversion. The second case study is concerned with sexual deviance among the Anabaptists of the St. Gall and Appenzell areas of eastern Switzerland in the mid-1520s. It interprets this, in line with other recent research, as an attempt to spiritualize sexuality. |
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| ISSN: | 1462-2459 |
| Obras secundarias: | Enthalten in: Reformation & Renaissance review
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| Persistent identifiers: | DOI: 10.1179/1462245915Z.00000000078 |