The gothic screen: space, sculpture, and community in the cathedrals of France and Germany, ca. 1200 - 1400

"In the Catharijneconvent Museum in Utrecht there hangs a panel painting whose diminutive size belies the magnificence of its contents (Plate I). Supporting a soaring canopy of rib vaults, two rows of polished marble columns mark the outer boundaries of the picture; their lower halves are conce...

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书目详细资料
主要作者: Jung, Jacqueline E. 1971- (Author)
格式: Print 图书
语言:English
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WorldCat: WorldCat
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
出版: Cambridge [u.a.] Cambridge Univ. Press 2013
In:Year: 2013
版:1. publ.
Standardized Subjects / Keyword chains:B Frankreich / 德国 / 主教教堂 / 圣坛屏 / 礼仪 / Bildprogramm / 哥德式艺术 / 历史 1200-1400
B Frankreich / 德国 / 教堂建筑 / 设备 / 圣坛屏 / Plastik / 历史 1200-1400
Further subjects:B Christian art and symbolism (Germany) Medieval, 500-1500
B Sculpture, Gothic (France) Themes, motives
B Sculpture, Gothic (Germany) Themes, motives
B Screens (Church decoration) Germany
B Screens (Church decoration) (Germany)
B Sculpture, Gothic Germany Themes, motives
B Christian art and symbolism Germany Medieval, 500-1500
B Christian art and symbolism (France) Medieval, 500-1500
B Space (Architecture) Social aspects Germany History To 1500
B Space (Architecture) Social aspects (Germany) History To 1500
B 参考书目
B Space (Architecture) Social aspects France History To 1500
B Christian art and symbolism France Medieval, 500-1500
B Screens (Church decoration) France
B Screens (Church decoration) (France)
B Space (Architecture) Social aspects (France) History To 1500
B Sculpture, Gothic France Themes, motives
在线阅读: Table of Contents (Publisher)
实物特征
总结:"In the Catharijneconvent Museum in Utrecht there hangs a panel painting whose diminutive size belies the magnificence of its contents (Plate I). Supporting a soaring canopy of rib vaults, two rows of polished marble columns mark the outer boundaries of the picture; their lower halves are concealed, however, by luminous winged altarpieces - most opened to display their gilt interiors, one decorated with paintings, and one still closed. But the sumptuousness of these material accoutrements carries little weight to the twenty-two tonsured men who fill the central space. With hands tucked into their gleaming white robes and mouths gently open as if in song, they gaze in quiet admiration at the Virgin Mary, dazzling with her loose golden locks and glittering crown, her gown of brocaded gold and purple velvet mantle, and the luminous infant she proffers to St. Dominic, the foremost friar. Whereas the phalanx of men forms a symmetrical buffer around the maiden and baby on the church's central axis, the scene is not wholly static. Following the steep orthogonals created jointly by architecture and figures, we discover the beginnings of movement as the two men farthest from our standpoint, thus deepest in the pictorial space, prepare to enter the choir"--
"This book reveals how Gothic choir screens, through both their architecture and sculpture, were vital vehicles of communication and shapers of community within the Christian church"--
Item Description:Includes bibliographical references and index
实物描述:XIX, 282 S., zahlr. Ill., graph. Darst., 29 cm
ISBN:1107022959