The Role of Cultural Sign in Cultivating the Dialogical Self: The Case of The Ox-Herding Pictures
Based on a newly conceptualized notion of the dialogical self, achieved by integrating Bakhtin's philosophical anthropology and Karmiloff-Smith's Representational Redescription model into the existing notion proposed by Hermans and colleagues, the present study focuses on examining the rol...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Published: |
American Anthropological Association
[2015]
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| In: |
Anthropology of consciousness
Year: 2015, Volume: 26, Issue: 1, Pages: 28-59 |
| Further subjects: | B
philosophical anthropology of Bakhtin
B sign mediation B The Ox-Herding Pictures B Representational Redescription model B dialogical self |
| Online Access: |
Volltext (Verlag) Volltext (doi) |
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| 520 | |a Based on a newly conceptualized notion of the dialogical self, achieved by integrating Bakhtin's philosophical anthropology and Karmiloff-Smith's Representational Redescription model into the existing notion proposed by Hermans and colleagues, the present study focuses on examining the role of The Ox-Herding Pictures in cultivating the dialogical self. Methodologically, this study adopted the cultural-historical perspective and microdevelopmental approach of Vygotsky. In-depth case studies consisting of six interrelated phases of interviews and written responses were conducted. The results show that such a unique cultural sign had different mediation effects upon subjects of different backgrounds. Two examples of considerable mediation effects are presented in more detail. A hermeneutical examination of this cultural object switched to a kind of self-representation in all cases, while the self-representation of all subjects developed from a less explicit to a more explicit level. Development of the dialogical self was characterized by its diversity in form and richness regarding content. | ||
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