Nicht jüdeln': Jews and Habsburg Loyalty in Franz Theodor Csokor's Dritter November 1918
This article argues that Franz Theodor Csokor's three-act drama, Dritter November 1918: Ende der Armee Österreich-Ungarns (Third of November 1918: End of the Army in Austria-Hungary) reveals how Jewish difference played an importantif often unrecognizedrole in the shaping the terms of Austria...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
[2017]
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| In: |
Religions
Year: 2017, Volume: 8, Issue: 4, Pages: 1-11 |
| Further subjects: | B
Jewish difference
B Empire B Austria-Hungary B Franz Theodor Csokor B Corporative state B Austrian Jews B Antisemitism |
| Online Access: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |
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| 520 | |a This article argues that Franz Theodor Csokor's three-act drama, Dritter November 1918: Ende der Armee Österreich-Ungarns (Third of November 1918: End of the Army in Austria-Hungary) reveals how Jewish difference played an importantif often unrecognizedrole in the shaping the terms of Austrian patriotism in the years leading up to 1938. Portrayals of Habsburg loyalty as Jewish or not Jewish helped articulate how nostalgia for Austria-Hungary would figure in a new sense of Austrianness, a project that took on even more urgency under the authoritarian censors of the Ständestaat. While the play's portrayal of a Jewish doctor as level-headed, peace-loving, and caring countered some egregious antisemitic stereotypes about disloyal and sexually perverted Jews, it also suggested that Jews were overly rational, lacking in emotional depth, and, ultimately, unable to embody a new Catholic, spiritual, Austrian patriotic ideal. Considered in its broader political context, and along with Csokor's earlier unpublished drama Gesetz, the play reveals how labelling Habsburg loyalty as Jewish helped to clarify and critique the nature of what it meant to be Austrian under an authoritarian regime that promoted a pro-Catholic, anti-Nazi vision of Austrian patriotism. It also offers a prime example of how even anti-antisemitic authors like Csokor perpetuated negative stereotypes about Jews, even as they aimed to present them in a more positive light. | ||
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