Elizabeth Bishop and the Poetry of Meditation
Elizabeth Bishop's poetry has won the admiration of a number of Christian poets and scholars. This essay argues that one reason for this is Bishop's subtle engagement with the work of the poet-divines Gerard Manley Hopkins and, especially, George Herbert; through their influence, she enter...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
[2017]
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| In: |
Religions
Year: 2017, Volume: 8, Issue: 1, Pages: 1-19 |
| Further subjects: | B
Augustine
B Louis L. Martz B the secular B Christian Platonism B George Herbert B modern poetry B Elizabeth Bishop B Yvor Winters B Meditative Lyric |
| Online Access: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |
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| 520 | |a Elizabeth Bishop's poetry has won the admiration of a number of Christian poets and scholars. This essay argues that one reason for this is Bishop's subtle engagement with the work of the poet-divines Gerard Manley Hopkins and, especially, George Herbert; through their influence, she enters into the guiding western poetic tradition of the meditative lyric, which is rooted in the Platonic and Christian accounts of the human person as an image of the Triune God in virtue of the mind as a trinity of memory, understanding, and will. Bishop practiced poetry as a moral act open to a divinity it cannot account for or even name, but traces of whose significance run through the world her poems depict. By considering her work, and her poem The Weed in particular, in the context of Herbert, the historical studies of Louis L. Martz, and the literary theory of Yvor Winters, we see that Bishop the unbeliever cannot properly be understood as a secular poet, but as one who recognizes the meditative lyric as a way of arriving at understanding of a truth that transcends us. | ||
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