Late Bergman: The Lived Experience of the Absence of God in Faithless and Saraband
Acclaimed as one of the great filmmakers of the 20th century, Ingmar Bergman is for many an arch-modernist, whose work is characterized by a high degree of self-conscious artistry and by dark, even nihilistic themes. Film critics increasingly identify him as a kind of philosopher of the human condit...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
[2016]
|
| In: |
Religions
Year: 2016, Volume: 7, Issue: 12, Pages: 1-25 |
| Further subjects: | B
Communion
B Film B Saraband B God B Ingmar Bergman B Philosophy B Faithless B Nihilism |
| Online Access: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |
MARC
| LEADER | 00000naa a22000002 4500 | ||
|---|---|---|---|
| 001 | 1586126415 | ||
| 003 | DE-627 | ||
| 005 | 20190110172231.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 190110s2016 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.3390/rel7120147 |2 doi | |
| 035 | |a (DE-627)1586126415 | ||
| 035 | |a (DE-576)516126415 | ||
| 035 | |a (DE-599)BSZ516126415 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 0 |2 ssgn | ||
| 100 | 1 | |e VerfasserIn |0 (DE-588)1089285272 |0 (DE-627)85104459X |0 (DE-576)42114159X |4 aut |a Hibbs, Thomas S. |d 1960- | |
| 109 | |a Hibbs, Thomas S. 1960- |a Hibbs, Thomas 1960- | ||
| 245 | 1 | 0 | |a Late Bergman |b The Lived Experience of the Absence of God in Faithless and Saraband |c Thomas Hibbs |
| 264 | 1 | |c [2016] | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a Acclaimed as one of the great filmmakers of the 20th century, Ingmar Bergman is for many an arch-modernist, whose work is characterized by a high degree of self-conscious artistry and by dark, even nihilistic themes. Film critics increasingly identify him as a kind of philosopher of the human condition, especially of the dislocations and misery of the modern human condition. However, Bergman's films are not embodiments of philosophical theories, nor do they include explicit discussions of theory. Instead, he attends to the concrete lived experience of those who, on the one hand, suffer from doubt, dislocation, and self-hatred and, on the other, long for confession and communion. In the middle of his career, especially in his famous faith trilogy of the early 1960s, Bergman investigated the lived experience of the absence of God. It is commonly thought that after this period, the question of God disappeared. However, in his last two films, Faithless and Saraband, Bergman explores the lived experience of the absence of God. Indeed, he moves beyond a simple negation to explore the complex interplay of absence. He even illustrates the possibility of a kind of communion for which so many of his charactersearly, middle and latelong. | ||
| 601 | |a Saraband | ||
| 650 | 4 | |a Faithless | |
| 650 | 4 | |a God | |
| 650 | 4 | |a Ingmar Bergman | |
| 650 | 4 | |a Saraband | |
| 650 | 4 | |a Communion | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Nihilism | |
| 650 | 4 | |a Philosophy | |
| 773 | 0 | 8 | |i Enthalten in |t Religions |d Basel : MDPI, 2010 |g 7(2016), 12, Seite 1-25 |h Online-Ressource |w (DE-627)665435797 |w (DE-600)2620962-7 |w (DE-576)348219067 |x 2077-1444 |7 nnns |
| 773 | 1 | 8 | |g volume:7 |g year:2016 |g number:12 |g pages:1-25 |
| 856 | |u https://www.mdpi.com/2077-1444/7/12/147/pdf?version=1481889440 |x unpaywall |z Vermutlich kostenfreier Zugang |h publisher [oa journal (via doaj)] | ||
| 856 | 4 | 0 | |u https://www.mdpi.com/2077-1444/7/12/147 |x Verlag |3 Volltext |
| 856 | |u https://doi.org/10.3390/rel7120147 |x doi |3 Volltext | ||
| 951 | |a AR | ||
| ELC | |a 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 3039634038 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1586126415 | ||
| LOK | |0 005 20190110171847 | ||
| LOK | |0 008 190110||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a ixzs |a ixzo | ||
| OAS | |a 1 | ||
| ORI | |a SA-MARC-ixtheoa001.raw | ||
| REL | |a 1 | ||
| STA | 0 | 0 | |a Film,Film,Motion pictures |
| STB | 0 | 0 | |a Film,Film,Cinéma,Cinéma,Cinéma (motif),Cinéma |
| STC | 0 | 0 | |a Película,Película,Cine |
| STD | 0 | 0 | |a Film <motivo>,Film,Cinema,Cinema,Cinema (motivo),Cinema |
| STE | 0 | 0 | |a 电影,电影 |
| STF | 0 | 0 | |a 電影,電影 |
| STG | 0 | 0 | |a Filme,Filme |
| STH | 0 | 0 | |a Фильм (мотив),Фильм |
| STI | 0 | 0 | |a Φιλμ<μοτίβο>,Κινηματογραφική ταινία,Ταινία (μοτίβο) |
| SUB | |a REL | ||
| SYE | 0 | 0 | |a Film,Fernsehfilm,Filmkunst,Kinofilm,Motion picture,Movie,Spielfilm,Kino <Film>,Spielfilm,Filmaufnahme,Filme,Kino,Filmaufnahme |