Senecan sententiae in Sir Thomas More
This textual analysis of thematic unity in the collaborative play Sir Thomas More presents both new discoveries and analysis of source material and of the play's careful use thereof. Special focus is given to the series of Latin, Senecan sententiae showcased in scenes 11 and 13, as More reacts...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Edinburgh University Press
[2018]
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| In: |
Moreana
Year: 2018, Volume: 55, Issue: 2, Pages: 127-149 |
| Further subjects: | B
Shakespeare
B Sénèque B comédie B Television comedies B Tragedy B Euripide B Seneca Indians B Horace B Euripides B Utopia B Sir Thomas More B Tragédie B tyrannie B Munday B Tyranny |
| Online Access: |
Volltext (Verlag) Volltext (doi) |
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| 520 | |a This textual analysis of thematic unity in the collaborative play Sir Thomas More presents both new discoveries and analysis of source material and of the play's careful use thereof. Special focus is given to the series of Latin, Senecan sententiae showcased in scenes 11 and 13, as More reacts to his fall from high office and worldly fortunes. By means of this analysis, the article offers further insight into the remarkable character of the play's Thomas More, namely his habit of balancing tragic and Senecan attitudes with more comedic ones in order to play the well-prepared role of a comic actor, despite a tragic stage. | ||
| 520 | |a Cette analyse textuelle de l'unité thématique dans la pièce collective Sir Thomas More présente à la fois de nouvelles découvertes et une nouvelle analyse des sources et de leur utilisation particulière. L'étude se concentre sur une série de sententiae latines de Sénèque, présentes dans les scènes 11 et 13, lorsque More réagit à sa démission du poste de chancelier et réfléchit sur les hasard de la fortune dans ce monde. L'article offre ainsi une compréhension plus profonde du personnage remarquable de Thomas More dans la pièce, mettant en relief sa tendance à compenser des attitudes tragiques à la Sénèque, par des attitudes plus comiques de manière à jouer le rôle attendu de l'acteur comique, au sein même du théâtre tragique. | ||
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