Madonna and Child of Soweto: Black Life Beyond Apartheid and Democracy

South African artist Laurence Vincent Scully's 1973 painting, Madonna and Child of Soweto, offers an analytical tool for understanding the capacity of public religion to advance black life. The author argues that this image censures apartheid violence against black persons and reimagines a just...

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Bibliographic Details
Published in:Political theology
Main Author: Wolff, Michelle (Author)
Format: Electronic Article
Language:English
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Published: Routledge, Taylor and Francis Group [2018]
In: Political theology
Standardized Subjects / Keyword chains:B Scully, Larry 1922-2002, Madonna and Child of Soweto / Africa / Apartheid / Black theology
IxTheo Classification:CD Christianity and Culture
CG Christianity and Politics
FD Contextual theology
KAJ Church history 1914-; recent history
KBN Sub-Saharan Africa
Further subjects:B Apartheid
B Activism
B Black Madonna
B Queer
B South Africa
B Black Theology
B Womanist
Online Access: Volltext (Verlag)
Description
Summary:South African artist Laurence Vincent Scully's 1973 painting, Madonna and Child of Soweto, offers an analytical tool for understanding the capacity of public religion to advance black life. The author argues that this image censures apartheid violence against black persons and reimagines a just sociality by displaying sacred, black motherhood and infancy in the figures Mary and Jesus. Their temporality and corporeality, when analyzed with a queer womanist method, gestate sacred public religion that exceeds both the apartheid governance of the past and also the secular, post-apartheid democracy of today.
Item Description:Das gedruckte Heft ist als Doppelheft erschienen: "Volume 19 Numbers 7-8 November-December 2018"
ISSN:1743-1719
Contains:Enthalten in: Political theology
Persistent identifiers:DOI: 10.1080/1462317X.2018.1450468