Frauen in die Geschichte einschreiben: Zum liturgischen Ort der Einsetzungsworte
Writing women into history might solve the riddle of the origin and function of the so-called Words of Institution (1Cor 11:2325/Mark 14:2224 par.). In respect to its genre, the Words of Institution are neither an etiology, nor a story but a story fragment that needs to be contextualized by a retell...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Mohr Siebeck
[2018]
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In: |
Early christianity
Year: 2018, Volume: 9, Issue: 3, Pages: 255-274 |
Standardized Subjects / Keyword chains: | B
Institution account
/ Liturgy
/ Mourning rites
/ Woman
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IxTheo Classification: | HC New Testament NBE Anthropology RC Liturgy |
Online Access: |
Volltext (doi) Volltext (lizenzpflichtig) |
Parallel Edition: | Non-electronic
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520 | |a Writing women into history might solve the riddle of the origin and function of the so-called Words of Institution (1Cor 11:2325/Mark 14:2224 par.). In respect to its genre, the Words of Institution are neither an etiology, nor a story but a story fragment that needs to be contextualized by a retelling of Jesus's passion. Ritual lament, sung mostly by women, is a genre that contains retellings of the suffering and death of one's beloved, in first person speech utilizing food and drink as a mediator between life and the afterlife. Therefore, women's laments provide a ritual space in which someone might have acted out the very part Jesus plays and the words he spoke at some early Christian banquets including the Last Supper. | ||
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