How do Motifs Endure and Perform?: Motif Theoty for the Study of Biblical Narratives
Motifs are often confused with and overshadowed by themes. This article argues for the unique identity, functions, and rhetorical force of motifs. Synchronically, motifs are recurrent performers having progressive and cumulative force in a singular narrative. They often build on and acquire strength...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Peeters
[2015]
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| In: |
Revue biblique
Year: 2015, Volume: 122, Issue: 2, Pages: 194-216 |
| Standardized Subjects / Keyword chains: | B
Bible
/ Motif
/ Literature
B Lucan writings / Light |
| IxTheo Classification: | CD Christianity and Culture HA Bible HC New Testament |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a Motifs are often confused with and overshadowed by themes. This article argues for the unique identity, functions, and rhetorical force of motifs. Synchronically, motifs are recurrent performers having progressive and cumulative force in a singular narrative. They often build on and acquire strength diachronically through motifs within a given literary tradition. Literary theory on motifs is supplemented here through the intertextual and performative values of motifs as a part of three phases of narrative writing and experience: emplotment, plot, and explotment. Thus, these interrelated aspects of motifs show how they survive through time, reappearing and performing in narratives. A discussion on the motif of light in Luke-Acts demonstrates the value of this approach. | ||
| 520 | |a Les motifs sont souvent confondus avec les thèmes et éclipsés par eux. Cet article argumente en faveur de l’identité unique des motifs, de leurs fonctions et force rhétorique. Synchroniquement, les motifs sont des protagonistes récurrents ayant une force progressive et cumulative dans un récit particulier. Souvent ils se construisent et acquièrent de la force diachroniquement grâce à d’autres motifs dans une tradition littéraire donnée. La théorie littéraire sur les motifs est complétée ici par leurs valeurs intertextuelles et performatives dans les trois phases d’écriture et d’expérience narrative: mise en intrigue, intrigue et ex-intrigue. Ainsi, ces aspects étroitement liés illustrent comment les motifs survivent dans le temps, réapparaissent et exécutent leurs rôles dans les récits. Une discussion sur le motif de la lumière dans Luc-Actes met en évidence la valeur de cette approche. | ||
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